| The new music industries: Disruption and discovery D Hughes, M Evans, G Morrow, S Keith Springer, 2016 | 87 | 2016 |
| 'What Constitutes Artist Success in the Australian Music Industries?' M Evans International Journal of Music Business Research (IJMBR), 2013 | 41 | 2013 |
| Coles, Woolworths, and the local S Keith Locale: The Australasian-Pacific Journal of Regional Food Studies 2, 47-81, 2012 | 30 | 2012 |
| Embodied Kawaii: Girls’ voices in J‐pop S Keith, D Hughes Journal of Popular Music Studies 28 (4), 474-487, 2016 | 17 | 2016 |
| Offline and online: Liveness in the Australian music industries S Keith, D Hughes, D Crowdy, G Morrow, M Evans The State of the music industry, 221-241, 2014 | 13 | 2014 |
| SBS PopAsia: Non-stop K-pop in Australia L Giuffre, S Keith K-pop-The International Rise of the Korean Music Industry, 81-97, 2014 | 12 | 2014 |
| Bridging the gap: Thoughts on computer music and contemporary (popular) electronic music S Keith Proceedings of the 2010 Australasian computer music conference, 37-42, 2010 | 11 | 2010 |
| Aspirations, considerations and processes: Songwriting in and for music education D Hughes, S Keith Journal of Popular Music Education 3 (1), 87-103, 2019 | 9 | 2019 |
| BTS as cultural ambassadors: K-pop and Korea in Western media S Keith The soft power of the Korean Wave, 155-167, 2021 | 8 | 2021 |
| Popular music and Korean learning: K-pop in Australia S Keith Multilingual Sydney, 79-90, 2018 | 7 | 2018 |
| Music education and the contemporary, multi-industry landscape D Hughes, S Keith, G Morrow, M Evans, D Crowdy Redefining the musical landscape: Inspired learning and innovation in music …, 2013 | 7 | 2013 |
| Mastering 2.0: The real or perceived threat of DIY mastering and automated mastering systems S Collins, A Renzo, S Keith, A Mesker Popular Music and Society 44 (3), 258-273, 2021 | 6 | 2021 |
| AAIN Generative Artificial Intelligence Guidelines A Munoz, A Wilson, B Pereira Nunes, C Del Medico, C Slade, D Bennett, ... | 5 | 2023 |
| K-pop Fandom in Australia S Keith Aussie fans: uniquely placed in global popular culture, 49-60, 2019 | 5 | 2019 |
| A “duty of care” and the professional musician/artist D Hughes, M Evans, S Keith, G Morrow RELEVANCE AND REFORM IN THE EDUCATION OF PROFESSIONAL MUSICIANS, 31, 2014 | 5 | 2014 |
| ‘Half of it is just the fun of finding the right music’: Music and the films of Adam Curtis S Keith Studies in Documentary Film 7 (2), 161-178, 2013 | 5 | 2013 |
| Creating Space for Where Ancestors Once Walked: The Singer–Songwriter as Cultural Identity D Hughes, S Keith Journal of Creative Communications 7 (3), 177-190, 2012 | 5 | 2012 |
| BTS as Cultural Ambassadors S Keith The Soft Power of the Korean Wave: Parasite, BTS and Drama, 2021 | 4 | 2021 |
| " Becoming-a-fan" stories: Hallyu in Australia S Keith Transcultural fandom and the globalization of Hallyu, 127-154, 2019 | 4 | 2019 |
| World music as evolving tradition: Cultural expression in contemporary music practices D Hughes, S Keith Journal of World Popular Music 2 (1), 78-100, 2015 | 4 | 2015 |
Diane HughesMacquarie UniversityVerified email at mq.edu.au
