Ivan Krisjansen
Ivan Krisjansen
Verified email at vu.edu.au
Cited by
Cited by
Assembling ‘the bioeconomy’: Exploiting the power of the promissory life sciences
A Petersen, I Krisjansen
Journal of Sociology 51 (1), 28-46, 2015
Surrealist poetics and the cinema of evil: the significance of the expression of sovereignty in Catherine Breillat's A ma soeur (2001)
T Maddock
Studies in French Cinema 3 (3), 161-171, 2003
Educating Eros: Catherine Breillat's Romance as a Cinematic Solution to Sade's Metaphysical Problem
I Krisjansen, T Maddock
Studies in French Cinema 1 (3), 141-149, 2001
Gifted education in South Australia: The emerging student aristocracy
I Krisjansen, B Lapins
Discourse: Studies in the Cultural Politics of Education 22 (1), 49-66, 2001
Australian Orientalism and Liberal Governance: Asian Labour in South Australia and the Northern Territory, 1890s
I Krisjansen
Labour History, 173-190, 2001
Nietzsche’s Ausgang: Dissolution and identity in the cinema of Lars Von Trier
I Krisjansen, C Papadopoullos
Studies in European Cinema 12 (1), 46-59, 2015
Female Asceticism: Press Representations in 1930s South Australia
I Krisjansen
Journal of Australian Studies 24 (64), 53-61, 2000
Loveless apathy: Sade’s erotica and parodic excess in Lars von Trier’s film Nymph () maniac 2014 (Directors Cut)
I Krisjansen
Studies in European Cinema 18 (1), 37-59, 2021
A genealogy of unemployment: press representations in South Australia 1890's and 1930's
IA Krisjansen
Surrealist Poetics And The Cinema Of Evil
TH Maddock, I Krisjansen
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