| The cultural industries D Hesmondhalgh Sage Publications Ltd, 2018 | 6016 | 2018 |
| Creative labour: Media work in three cultural industries D Hesmondhalgh, S Baker Routledge, 2013 | 1867 | 2013 |
| Bourdieu, the media and cultural production D Hesmondhalgh Media, culture & society 28 (2), 211-231, 2006 | 1015 | 2006 |
| Cultural industries and cultural policy D Hesmondhalgh, AC Pratt International journal of cultural policy 11 (1), 1-13, 2005 | 978 | 2005 |
| Western music and its others: Difference, representation, and appropriation in music G Born, D Hesmondhalgh Univ of California Press, 2000 | 859 | 2000 |
| Subcultures, scenes or tribes? None of the above D Hesmondhalgh Journal of youth studies 8 (1), 21-40, 2005 | 787 | 2005 |
| Why music matters D Hesmondhalgh John Wiley & Sons, 2013 | 638 | 2013 |
| ‘A very complicated version of freedom’: Conditions and experiences of creative labour in three cultural industries D Hesmondhalgh, S Baker Poetics 38 (1), 4-20, 2010 | 586 | 2010 |
| Indie: The institutional politics and aesthetics of a popular music genre D Hesmondhalgh Cultural studies 13 (1), 34-61, 1999 | 576 | 1999 |
| User-generated content, free labour and the cultural industries D Hesmondhalgh ephemera 10 (3/4), 267-284, 2010 | 521 | 2010 |
| Looking for work in creative industries policy M Banks, D Hesmondhalgh International journal of cultural policy 15 (4), 415-430, 2009 | 516 | 2009 |
| Creative work and emotional labour in the television industry D Hesmondhalgh, S Baker Theory, culture & society 25 (7-8), 97-118, 2008 | 450 | 2008 |
| Cultural and creative industries D Hesmondhalgh The SAGE handbook of cultural analysis, 552-569, 2008 | 391 | 2008 |
| The British dance music industry: a case study of independent cultural production D Hesmondhalgh British journal of sociology, 234-251, 1998 | 374 | 1998 |
| Post-Punk's attempt to democratise the music industry: the success and failure of Rough Trade D Hesmondhalgh Popular Music 16 (3), 255-274, 1997 | 299 | 1997 |
| Towards a critical understanding of music, emotion and self-identity D Hesmondhalgh Production & consumption of music, 99-113, 2014 | 280 | 2014 |
| Sex, gender and work segregation in the cultural industries D Hesmondhalgh, S Baker The sociological review 63 (1_suppl), 23-36, 2015 | 278 | 2015 |
| Introduction: on difference, representation and appropriation in music G Born, D Hesmondhalgh University of California Press, 2000 | 272 | 2000 |
| Popular music studies D Hesmondhalgh, K Negus Arnold, 2002 | 253 | 2002 |
| Flexibility, post-Fordism and the music industries D Hesmondhalgh Media, Culture & Society 18 (3), 469-488, 1996 | 224 | 1996 |
Sarah BakerProfessor in Cultural Sociology, Griffith UniversityVerified email at griffith.edu.au
