| Theatre of Real People: Diverse Encounters at Berlin’s Hebbel Am Ufer and Beyond U Garde, M Mumford Bloomsbury (Methuen Engage), 2016 | 74 | 2016 |
| Verbatim: Staging memory & community P Brown, J Arvanitakis, P Dwyer, U Garde, M Mumford, R Oades, C Wake Currency Press, 2022 | 59 | 2022 |
| Postdramatic reality theatre and productive insecurity: destabilizing encounters with the unfamiliar in theatre from Sydney and Berlin U Garde, M Mumford New York: Bloomsbury Publishing, 2013 | 23 | 2013 |
| Brecht & Co: German-speaking Playwrights on the Australian Stage U Garde Peter Lang, 2007 | 19 | 2007 |
| A short history of verbatim theatre U Garde, M Mumford, C Wake Verbatim: Staging memory and community, 9-17, 2010 | 15 | 2010 |
| Staging Real People: On the Arts and Effects of Non-Professional Theatre Performers M Mumford, U Garde Performance Paradigm 11, 5 - 15, 2015 | 12 | 2015 |
| Rimini Protokoll Close-Up: Lektüren J Birgfeld, U Garde, M Mumford Hannover: Wehrhahn, 2015 | 11 | 2015 |
| Spotlight on the audience: collective creativity in recent documentary and reality theatre from Australia and Germany U Garde Collective Creativity: Collaborative Work in the Sciences, Literature and …, 2011 | 9 | 2011 |
| Panel discussion: 100% Melbourne: contemporary documentary performance that puts' real Melbournians' on the stage J Bowen, U Garde, A Griffith, V Guglielmo, H Haug, S Kaegi, M Mumford, ... Hannover: Wehrhahn, 2015 | 8 | 2015 |
| Destabilising notions of the unfamiliar in Australian documentary theatre: version 1.0’s CMI (A Certain Maritime Incident) U Garde PORTAL Journal of Multidisciplinary International Studies 10 (1), 2013 | 7 | 2013 |
| Eine Fahrt ins Blaue. Deutschsprachiges Theater und Kabarett im australischen Exil und Nach-Exil (1933–1988)(review) U Garde Seminar: A Journal of Germanic Studies 44 (2), 296-297, 2008 | 7 | 2008 |
| Ein Spiel mit der Stadt: Die spielerische Durchbrechung von Schemata in "100% Melbourne" U Garde Rimini Protokoll Close-Up: Lektüren, 254-277, 2015 | 6 | 2015 |
| Reality and realism in contemporary German theatre performances U Garde Realisms in Contemporary Culture: Theories, Politics, and Medial …, 2013 | 5 | 2013 |
| " Never in body and seldom in spirit": Australian Productions of Brecht's Plays and Their Reviews from 1945 to 1998 U Garde Brecht-Yearbook 26, 101-125, 2001 | 5* | 2001 |
| Spaces for performing belonging: The use of lieux de mémoire in Jewish migrant theatre and the work of Barrie Kosky U Garde Belonging and Exclusion: Case Studies in Recent Australian and German …, 2009 | 4* | 2009 |
| Theatre(s) and internationalization(s) U Garde, JR Severn Theatre and internationalization: perspectives from Australia, Germany and …, 2020 | 3 | 2020 |
| Theatre and Internationalization: Perspectives from Australia, Germany, and Beyond JRS Ulrike Garde Routledge, Taylor and Francis Group, 2020 | 3* | 2020 |
| FALK RICHTER AND ANOUK VAN DIJK'S COMPLEXITY OF BELONGING: EXPLORING INTERNATIONALISATION IN CONTEMPORARY THEATRE J Birgfeld, U Garde German Life and Letters 71 (3), 353-373, 2018 | 3 | 2018 |
| 7: The Stasi Files on Center Stage: Life Writing, Witnessing, and Memory in Recent Performance U Garde Secret Police Files from the Eastern Bloc: Between Surveillance and Life …, 2016 | 2 | 2016 |
| Multilingualism on the Berlin Stage: The Influence of Language Choice, Linguistic Access and Opacity on Cultural Diversity and Access in Contemporary Theatre U Garde Contemporary Theatre Review 32 (1), 61-80, 2022 | 1 | 2022 |
