Oliver Bown

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Sam FergusonFaculty of Engineering and IT, University of Technology, SydneyVerified email at uts.edu.au
Arne EigenfeldtProfessor, School for the Contemporary Arts, Simon Fraser UniversityVerified email at sfu.ca
Jon McCormackMonash UniversityVerified email at monash.edu
Frederic Anthony RobinsonDolby Laboratories, Advanced Technologies GroupVerified email at dolby.com
Aengus MartinAmazon MusicVerified email at apple.com
Mari VelonakiProfessor of Social Robotics UNSW, Adjunct Professor USYDVerified email at unsw.edu.au
Philippe PasquierSchool of Interactive Arts and Technology - Simon Fraser UniversityVerified email at sfu.ca
Liam BraySenior Lecturer in Design, The University of SydneyVerified email at sydney.edu.au
Angelo FraiettaVerified email at smartcontroller.com.au
Rob SaundersAssociate Professor, Leiden UniversityVerified email at liacs.leidenuniv.nl
Martin TomitschProfessor and Head of the Transdisciplinary School (TD School) at University of Technology SydneyVerified email at uts.edu.au
Alice EldridgeProfessor of Sonic SystemsVerified email at ecila.org
Geraint WigginsProfessor of Computational Creativity, Vrije Universiteit Brussel / Queen Mary University of LondonVerified email at vub.ac.be
Craig JinAssociate Professor, The University of SydneyVerified email at sydney.edu.au
Shlomo DubnovProfessor Music, Computer Science and Engineering, UCSDVerified email at ucsd.edu
Lian LokeUniversity of SydneyVerified email at sydney.edu.au
Andrew R. BrownGriffith UniversityVerified email at griffith.edu.au
Steffan IanigroStudent, University of New South WalesVerified email at student.unsw.edu.au
Mitchell WhitelawProfessor in Design, Australian National UniversityVerified email at anu.edu.au
Alan DorinMonash University, AustraliaVerified email at monash.edu

Oliver Bown

Associate Professor, UNSW Art & Design

Verified email at unsw.edu.au - Homepage

Creative Systems Computational Creativity Interaction Design Creative AI Generative Music


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Ten questions concerning generative computer art J McCormack, O Bown, A Dorin, J McCabe, G Monro, M Whitelaw Leonardo 47 (2), 135-141, 2014	127	2014
Understanding Interaction in Contemporary Digital Music: from instruments to behavioural objects O Bown, A Eldridge, J Mccormack Organised Sound 14 (02), 188-196, 2009	118	2009
An introduction to musical metacreation P Pasquier, A Eigenfeldt, O Bown, S Dubnov Computers in Entertainment (CIE) 14 (2), 1-14, 2017	110	2017
Continuous-time recurrent neural networks for generative and interactive musical performance O Bown, S Lexer Applications of Evolutionary Computing, 652-663, 2006	56	2006
Generative and adaptive creativity: A unified approach to creativity in nature, humans and machines O Bown Computers and creativity, 361-381, 2012	52	2012
Live algorithms: towards autonomous computer improvisers T Blackwell, O Bown, M Young Computers and creativity, 147-174, 2012	51	2012
Experiments in modular design for the creative composition of live algorithms O Bown Computer Music Journal 35 (3), 73-85, 2011	50	2011
Smooth operator: Tuning robot perception through artificial movement sound FA Robinson, M Velonaki, O Bown Proceedings of the 2021 ACM/IEEE international conference on human-robot …, 2021	49	2021
Empirically Grounding the Evaluation of Creative Systems: Incorporating Interaction Design O Bown	47	2014
Life’s what you make it: Niche construction and evolutionary art J McCormack, O Bown Applications of Evolutionary Computing, 528-537, 2009	44	2009
Computational social creativity R Saunders, O Bown Artificial life 21 (3), 366-378, 2015	38	2015
Towards a taxonomy of musical metacreation: Reflections on the first musical metacreation weekend A Eigenfeldt, O Bown, P Pasquier, A Martin Proceedings of the AAAI Conference on Artificial Intelligence and …, 2013	38	2013
Collaborative Composition with Creative Systems: Reflections on the First Musebot Ensemble. A Eigenfeldt, O Bown, B Carey ICCC, 134-141, 2015	34	2015
Beyond the creative species: Making machines that make art and music O Bown Mit Press, 2021	33	2021
Using embodied audio-visual interaction to promote social encounters around large media façades L Hespanhol, M Tomitsch, O Bown, M Young Proceedings of the 2014 conference on Designing interactive systems, 945-954, 2014	33	2014
Flexible generation of musical form: beyond mere generation A Eigenfeldt, O Bown, AR Brown, T Gifford Proceedings of the seventh international conference on computational …, 2016	31	2016
Manifesto for a Musebot Ensemble: A platform for live interactive performance between multiple autonomous musical agents O Bown, B Carey, A Eigenfeldt Proceedings of the international symposium of electronic art, 2015	30	2015
Examining the Perception of Liveness and Activity in Laptop Music: Listeners’ Inference about What the Performer is Doing from the Audio Alone O Bown, R Bell, A Parkinson	30	2014
Taming nature: tapping the creative potential of ecosystem models in the arts O Bown, J McCormack Digital Creativity 21 (4), 215-231, 2010	30	2010
Designing sound for social robots: Candidate design principles FA Robinson, O Bown, M Velonaki International Journal of Social Robotics 14 (6), 1507-1525, 2022	29	2022

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