Jennifer MacRitchie
Jennifer MacRitchie
MARCS Institute, Western Sydney University
Verified email at uws.edu.au - Homepage
Title
Cited by
Cited by
Year
Inferring musical structure through bodily gestures
J MacRitchie, B Buck, NJ Bailey
Musicae Scientiae 17 (1), 86-108, 2013
662013
Visualising Musical Structure Through Performance Gesture.
J MacRitchie, B Buck, NJ Bailey
ISMIR, 237-242, 2009
282009
The Art and Science Behind Piano Touch: A review connecting multi-disciplinary literature
J MacRitchie
Musicae Scientiae 19 (2), 171-190, 2015
252015
The interpretive shaping of embodied musical structure in piano performance
B Buck, J MacRitchie, N Bailey
Empirical Musicology Review 8 (2), 92-119, 2013
212013
Efficient tracking of pianists’ finger movements
J MacRitchie, NJ Bailey
Journal of New Music Research 42 (1), 79-95, 2013
182013
Embodied expression through entrainment and co-representation in musical ensemble performance
J MacRitchie, M Varlet, PE Keller
The Routledge companion to embodied music interaction, 150-159, 2017
172017
Integrating optical finger motion tracking with surface touch events
J MacRitchie, A McPherson
Frontiers in Psychology 6 (702), DOI: 10.3389/fpsyg.2015.00702, 2015
172015
Elucidating musical structure through empirical measurement of performance parameters
J MacRitchie
University of Glasgow, 2011
142011
The Intentions of Piano Touch
J MacRitchie, M Zicari
Proceedings of the 12th International Conference on Music Perception and …, 2012
112012
The Impact of Music on Human Development and Well-Being
GF Welch, M Biasutti, J MacRitchie, GE McPherson, E Himonides
Frontiers in Psychology 11, 2020
72020
The influence of visual cues on temporal anticipation and movement synchronization with musical sequences
ID Colley, M Varlet, J MacRitchie, PE Keller
Acta psychologica 191, 190-200, 2018
72018
Negotiating between individual and joint goals in ensemble musical performance
J MacRitchie, A Herff, Steffen, A Procopio, E Keller, Peter
Quarterly Journal of Experimental Psychology, 2017
72017
Using historical accounts of harpsichord touch to empirically investigate the production and perception of dynamics on the 1788 Taskin
J MacRitchie, G Nuti
Frontiers in Psychology 6 (183), 2015
62015
Recorded interpretations of Chopin Preludes: Performer’s choice of score events for emphasis and emotional communication
E Bisesi, J MacRitchie, R Parncutt
Proceedings of ICMPC-ESCOM, Thessaloniki, Greece, 106-107, 2012
62012
Multi-modal aquisition of performance parameters for analysis of chopin’sb flat minor piano sonata finale op. 35
J MacRitchie, NJ Bailey, G Hair
Abstract Proceedings of DMRN 1, 2006
62006
Exploring the Effects of Pitch Layout on Learning a New Musical Instrument
J MacRitchie, A Milne
Applied Sciences 7 (12), 1218, 2017
52017
Cognitive, Motor and Social Factors of Music Instrument Training Programs for Older Adults’ Improved Wellbeing
J MacRitchie, M Breaden, AJ Milne, S McIntyre
Frontiers in psychology 10, 2868, 2020
42020
Evaluation of the learnability and playability of pitch layouts in new musical instruments
J MacRitchie, AJ Milne
Proceedings of the 14th Sound and Music Computing Conference, Espoo, Finland …, 2017
42017
Gestural Communication: Linking multi-modal Analysis of Performance to Perception of Musical Structure
J MacRitchie, B Buck, N Bailey
Proceedings of the 2nd International Symposium of Performance Science …, 2009
42009
Audience engagement with community music performances: Emotional contagion in audiences of a ‘pro-am’orchestra in suburban Sydney
S Garrido, J Macritchie
Musicae Scientiae 24 (2), 155-167, 2020
32020
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