| Feminist aesthetics in music S Macarthur Bloomsbury Publishing USA, 2001 | 122 | 2001 |
| Towards a twenty-first-century feminist politics of music S Macarthur Routledge, 2016 | 111 | 2016 |
| Creating a career as a woman composer: Implications for music in higher education D Bennett, S Macarthur, C Hope, T Goh, S Hennekam British Journal of Music Education 35 (3), 237-253, 2018 | 49 | 2018 |
| Hiding gender: How female composers manage gender identity D Bennett, S Hennekam, S Macarthur, C Hope, T Goh Journal of Vocational Behavior 113, 20-32, 2019 | 44 | 2019 |
| Women composers’ use of online communities of practice to build and support their careers S Hennekam, S Macarthur, D Bennett, C Hope, T Goh Personnel Review 49 (1), 215-230, 2020 | 37 | 2020 |
| The rise and fall, and the rise (again) of feminist research in music:‘What goes around comes around’ S Macarthur, D Bennett, T Goh, S Hennekam, C Hope Musicology Australia 39 (2), 73-95, 2017 | 35 | 2017 |
| The woman composer, new music and neoliberalism S Macarthur Musicology Australia 36 (1), 36-52, 2014 | 33 | 2014 |
| An international perspective on managing a career as a woman composer S Hennekam, D Bennett, S Macarthur, C Hope, T Goh International Journal of Arts Management, 4-13, 2019 | 22 | 2019 |
| Music's Immanent Future: The Deleuzian Turn in Music Studies S Macarthur, J Lochhead, J Shaw Routledge, 2016 | 20 | 2016 |
| Feminist aesthetics in music: politics and practices in Australia S Macarthur, A Boyd, M Henderson, E Kats-Chernin University of Sydney, 1997 | 14 | 1997 |
| Musics and feminism S Macarthur, C Poynton Australian Music Centre, 1999 | 11 | 1999 |
| Raising the platform for women S Macarthur Music Forum, 2006 | 9 | 2006 |
| Gender and the tertiary music curriculum in Australia S Macarthur Music in Australian Tertiary Institutions: Issues for the 21st Century, 1-38, 2007 | 7 | 2007 |
| Women, Spirituality, Landscape: The Music of Anne Boyd, Sarah Hopkins and Moya Henderson S Macarthur The Soundscapes of Australia, 51-74, 2018 | 6 | 2018 |
| Renovating Music Analysis S Macarthur Musicology Australia 38 (2), 182-193, 2016 | 6 | 2016 |
| Cat Hope, and Dawn Bennett (2016),‘The Sound of Silence: Why Aren’t Australia’s Female Composers Being Heard?’ S Macarthur The Conversation, 2016 | 6 | 2016 |
| A thousand dissonances: music research and the nomadic female composer S Macarthur Australian Feminist Studies 24 (59), 53-69, 2009 | 6 | 2009 |
| Hiding gender: Gender identity and the strategies of female composers D Bennett, S Hennekam, S Macarthur, C Hope, T Goh Journal of Vocational Behavior 113, 20-32, 2019 | 5 | 2019 |
| The sound of silence: why aren’t Australia’s female composers being heard? S Macarthur, C Hope The Conversation, 2016 | 5 | 2016 |
| Women, new music and the composition of becomings S Macarthur Cultural Studies Review 16 (2), 248-270, 2010 | 5 | 2010 |
