| Migratory aesthetics, pastiche and painting: an exploration of migratory experience NJ Haddon University Of Tasmania, 2021 | | 2021 |
| We will bring our own views N Haddon, L Woolley Bett Gallery, 2021 | | 2021 |
| Hackable Animals N Haddon, R O'Connor, M Walch Painters Guild of Hobart, 2020 | | 2020 |
| the shore, the race, the other place N Haddon | | 2019 |
| Migratory Aesthetics: Heterochrony as painting N Haddon University of Tasmania, 2018 | | 2018 |
| The subtle edge of migration: a rocky shore N Haddon | | 2018 |
| We can always go back: nostalgia and the poor image N Haddon | | 2018 |
| Painting the Colonial Folly N Haddon | | 2017 |
| After you have gone: un-disciplined knowledge and new value/s, one year on N Haddon, T Juliff, W Fountain, M Kunda University Of Tasmania, 2017 | | 2017 |
| New Works N Haddon | | 2016 |
| Wormhole N Haddon | | 2015 |
| The Promise of a Future: How visual artists present future scenarios especially with respect to a Tasmanian idyll N Haddon University Of Tasmania, 2014 | | 2014 |
| After the Burn, Mt Nelson (a new landscape emerges) N Haddon | | 2013 |
| 'Wear No. 4'in Theatre of the World N Haddon | | 2012 |
| Putting Out the Fire (with gasoline), Fascinator (three dresses), Lost (green), Lost (pink), Putting Out the Fire (with geometry), The Hunter (NH) N Haddon | | 2012 |
| the black mirror, the basement, the hunter, the studio N Haddon | | 2012 |
| 'Grafted Landscape (West Hobart)'in the Glover Prize 2012 N Haddon | | 2012 |
| Grafting Landscape (West Hobart) N Haddon | | 2012 |
| Totenlieder (penguins), painting selected for the Arthur Guy Memorial Art Prize 2011 N Haddon | | 2011 |
| Analgesic Field (NW Tasmania), painting selected for the Wynne Prize 2011 N Haddon | | 2011 |
