| Didi-Huberman and the Image C Larsson Didi-Huberman and the image, 2020 | 19 | 2020 |
| Making Monsters in László Nemes’ Son of Saul C Larsson Senses of Cinema, https://www.sensesofcinema.com/2016/feat, 2016 | 6 | 2016 |
| And the Word Becomes Flesh: Georges Didi-Huberman's Symptom in the Image C Larsson Electronic Melbourne Art Journal, 1, 2014 | 5 | 2014 |
| Thinking things: Images of thought and thoughtful images C Larsson Transformations, 2016 | 4 | 2016 |
| Suspicious Images: Iconophobia and the Ethical Gaze C Larsson M/C Journal 15 (1), 2012 | 4 | 2012 |
| When Images Take a Position: Didi-Huberman's Brechtian Intervention C Larsson esse arts+ opinions, 36-43, 2015 | 3 | 2015 |
| Against a Melancholic Art History: The Afterlife of Images C Larsson The Persistence of Melancholia in Arts and Culture, 193-203, 2019 | 2 | 2019 |
| Didi-Huberman and art history’s amicable incursions C Larsson Journal of Art Historiography 22, 2020 | 1 | 2020 |
| Tony Albert’s politically charged kitsch collection confronts our racist past.’ C Larsson The Conversation 7, 2018 | 1 | 2018 |
| Thronging bluff face: Jemima Wyman's many masks C Larsson Artlink 37 (4), 36-41, 2017 | 1 | 2017 |
| Didi-Huberman's ghosts C Larsson | 1 | 2015 |
| Quiet Trauma and the War in Ukraine C Larsson Psychosocial and Cultural Perspectives on the War in Ukraine: Imprints and …, 2024 | | 2024 |
| Scandal in the museum: a symptomatic response C Larsson Psychoanalysis, Culture & Society 27 (1), 71-88, 2022 | | 2022 |
| Soulèvements de Georges Didi-Huberman C Larsson Spirale: arts• lettres• sciences humaines, 35-37, 2017 | | 2017 |
| This is not an orchestra: Super Critical Mass making the invisible visible C Larsson Broadsheet 44 (3), 15-17, 2015 | | 2015 |
