| Resistance or Reiteration? Rethinking Gender in DJ Cultures T Gadir Contemporary Music Review 35 (1), 115-129, 2016 | 43 | 2016 |
| Forty-Seven DJs, Four Women: Meritocracy, Talent, and Postfeminist Politics T Gadir Dancecult: Journal of Electronic Dance Music Culture 9 (1), 50-72, 2017 | 39 | 2017 |
| Broadening research in gender and music practice A Werner, T Gadir, S De Boise Popular Music 39 (3-4), 636-651, 2020 | 19 | 2020 |
| Musical meaning and social significance: techno triggers for dancing TE Gadir The University of Edinburgh, 2014 | 13 | 2014 |
| “I Don’t Play Girly House Music”: Women, sonic stereotyping, and the dancing DJ T Gadir The Routledge Research Companion to Popular Music and Gender, 196-210, 2017 | 7 | 2017 |
| Understanding Agency from the Decks to the Dance Floor T Gadir Music Theory Online 24 (3), 2018 | 4 | 2018 |
| Dance Music: A Feminist Account of an Ordinary Culture T Gadir Bloomsbury Publishing USA, 2023 | 1 | 2023 |
| ‘This felt more like a conversation’: challenging gender norms in electronic music production through alternative education programs C Strong, T Gadir Continuum 37 (4), 448–464, 2023 | | 2023 |
| Music as Magic: Breaking and Recasting the Spell of Live Music in Naarm/Melbourne S Brunt, M Callander, S Diaz-Gasca, T Gadir, I Rogers, C Strong M/C Journal 26 (5), 2023 | | 2023 |
| Conversing ‘trina chéile’ F Hanley, T Gadir, I Noy Corporeality and Culture: Bodies in Movement, 9, 2016 | | 2016 |
| Techno Intersections: An Aural Account of Research in Edinburgh T Gadir Dancecult: Journal of Electronic Dance Music Culture 5 (1), 2013 | | 2013 |
Ann WernerSenior Lecturer Dept of Musicology, Uppsala UniversityVerified email at musik.uu.se
