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Robert Sazdov
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Perceptual Investigation into envelopment, spatial clarity, and engulfment in reproduced multi-channel audio
R Sazdov, G Paine, K Stevens
AES 31st International Conference, 2007
41*2007
A perceptual investigation into spatialization techniques used in multichannel electroacoustic music for envelopment and engulfment
H Lynch, R Sazdov
Computer Music Journal 41 (1), 13-33, 2017
142017
An Investigation into Compositional Techniques Utilized for the Three-dimensional Spatialization of Electroacoustic Music
H Lynch, R Sazdov
Proceedings of the Electroacoustic Music Studies Conference, New York, 2011
132011
Factors influencing listener preference for dynamic range compression
M Ronan, R Sazdov, N Ward
Audio Engineering Society Convention 137, 2014
112014
Loudness normalisation: paradigm shift or placebo for the use of hyper-compression in pop music?
M Ronan, R Sazdov, N Ward
ICMC, 2014
92014
The perception of hyper-compression by untrained listeners
M Ronan, N Ward, R Sazdov
Audio Engineering Society Conference: 60th International Conference: DREAMS …, 2016
82016
Identifying and validating program material: a hyper-compression perspective
M Ronan, N Ward, R Sazdov
Audio Engineering Society Convention 139, 2015
72015
The effect of elevated loudspeakers on the perception of engulfment, and the effect of horizontal loudspeakers on the perception of envelopment
R Sazdov
International Conference on Spatial Audio, 10-13, 2011
72011
The Perception of Hyper-Compression by Mastering Engineers
M Ronan, N Ward, R Sazdov, H Lee
Journal of the Audio Engineering Society 65 (7/8), 613-621, 2017
52017
The EU Project ORPHEUS. Object-based broadcasting-for next generation audio experiences
A Silzle
52017
Exploring the sound quality dimensions of hyper-compression
M Ronan, N Ward, R Sazdov
Innovation in Music II, 36-51, 2016
42016
Envelopment vs. Engulfment: Multidimensional scaling on the effect of spectral content and spatial dimension within a three-dimensional loudspeaker setup
R Sazdov
International Conference on Spatial Audio, 17-20, 2015
42015
Investigating the sound quality lexicon of analogue compression using category analysis
M Ronan, N Ward, R Sazdov
Audio Engineering Society Convention 138, 2015
42015
An investigation into the sound quality lexicon of analogue compressors using category analysis
M Ronan, N Ward, R Sazdov
AES 138 Convention, 2015
42015
Configuring SpADE: practical considerations influencing the design of a three-dimensional multi-channel listening environment
M Ronan, D Piggott, R Sazdov
Irish Sound, Science and Technology Convocation, 1-2, 2012
42012
Considerations when calibrating program material stimuli using LUFS
M Ronan, N Ward, R Sazdov
Audio Engineering Society Convention 140, 2016
32016
An Investigation into the perception of Spatial Techniques used in Multi-channel Electroacoustic Music
H Lynch, R Sazdov
Proceedings of the 2013 ICMC Conference: International Developments in …, 2013
32013
An ecologically valid experiment for the comparison of established spatial techniques
H Lynch, R Sazdov
International Computer Music Conference, 2011
32011
An ecologically valid experiment for the perceptual study of multi-channel electroacoustic music
R Sazdov
L’Espace du son III. Brussels: Musiques & Recherches, 71-90, 2011
32011
The influence of sub-woofer frequencies within a multi-channel loudspeaker configuration on the perception of spatial attributes in a concert hall environment
R Sazdov
International Computer Music Conference, 2011
22011
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Articles 1–20