Dorottya Fabian
Dorottya Fabian
Professor of Music, UNSW Australia
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Cited by
Cited by
Expressiveness in music performance: Empirical approaches across styles and cultures
D Fabian, R Timmers, E Schubert
Oxford University Press, USA, 2014
Bach performance practice, 1945-1975: A comprehensive review of sound recordings and literature
D Fabian
Routledge, 2017
The meaning of authenticity and the early music Movement: A historical review
D Fabian
International Review of the Aesthetics and Sociology of Music, 153-167, 2001
A Musicology of Performance: theory an method based on Bach's Solos for Violin
D Fabian
Open Book Publishers 1, DOIá…, 2015
Philosophical reflections on expressive music performance
M Dogantan-Dack
Expressiveness in music performance empirical approaches across styles andá…, 2014
The recordings of Joachim, Ysa e and Sarasate in light of their reception by nineteenth-century British critics
D Fabian
Classical and Romantic Music, 97-118, 2017
A taxonomy of listeners’ judgements of expressiveness in music performance
E Schubert, D Fabian
Expressiveness in music performance: Empirical approaches across styles andá…, 2014
A spiral model of musical decision-making
D Bangert, E Schubert, D Fabian
Frontiers in psychology 5, 320, 2014
The dimensions of baroque music performance: a semantic differential study
E Schubert, D Fabian
Psychology of Music 34 (4), 573-587, 2006
Towards a performance history of Bach’s Sonatas and Partitas for Solo Violin: Preliminary investigations
D Fabian, L Vikarius, V Lampert
Scarecrow Press, 2005
Expressive Devices and Perceived Musical Character in 34 Performances of Variation 7 from Bach's Goldbergvariations
D Fabian, E Schubert
Musicae Scientiae 7 (1_suppl), 49-71, 2003
Performing solo Bach: A case study of musical decision-making
D Bangert, D Fabian, E Schubert, D Yeadon
Musicae Scientiae 18 (1), 35-52, 2014
Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from JS Bach's Goldberg Variations (BWV 988)
D Fabian, E Schubert
Musicae Scientiae 12 (2), 177-206, 2008
Commercial sound recordings and trends in expressive music performance: Why should experimental researchers pay attention
D Fabian
Expressiveness in music performance: Empirical approaches across styles andá…, 2014
Musicology and Performance Practice: In Search of a Historical Syle with Bach Recordings
D Fabian Somorjay
Studia Musicologica Academiae Scientiarum Hungaricae 41 (1-3), 77-106, 2000
Classical sound recordings and live performances: artistic and analytical perspectives
D Fabian, M Dogantan-Dack
Middlesex University, 2008
Variety in performance: A comparative analysis of recorded performances of Bach's sixth suite for solo cello from 1961 to 1998
A Sung, D Fabian
Empirical Musicology Review, 2011
Identity in violin playing on records: interpretation profiles in recordings of solo bach by early twentiety-century violinists
D Fabian, E Ornoy
Performance Practice Review 14 (1), 3, 2009
Practice thoughts and performance action: Observing processes of musical decision-making
D Bangert, E Schubert, D Fabian
Music Performance Research 7 (1), 27-46, 2015
Baroque expressiveness and stylishness in three recordings of the D minor Sarabanda for solo violin (BWV 1004) by JS Bach
D Fabian, E Schubert
Music Performance Research 3, 36-55, 2009
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