| Expressiveness in music performance: Empirical approaches across styles and cultures D Fabian, R Timmers, E Schubert Oxford University Press, USA, 2014 | 135 | 2014 |
| Bach performance practice, 1945-1975: A comprehensive review of sound recordings and literature D Fabian Routledge, 2017 | 93 | 2017 |
| The meaning of authenticity and the early music Movement: A historical review D Fabian International Review of the Aesthetics and Sociology of Music, 153-167, 2001 | 80 | 2001 |
| A Musicology of Performance: theory an method based on Bach's Solos for Violin D Fabian Open Book Publishers http://www.openbookpublishers.com/product/346/ 1, DOI …, 2015 | 65 | 2015 |
| Philosophical reflections on expressive music performance M Dogantan-Dack Expressiveness in music performance empirical approaches across styles and …, 2014 | 43 | 2014 |
| The recordings of Joachim, Ysaÿe and Sarasate in light of their reception by nineteenth-century British critics D Fabian Classical and Romantic Music, 97-118, 2017 | 30 | 2017 |
| A taxonomy of listeners’ judgements of expressiveness in music performance E Schubert, D Fabian Expressiveness in music performance: Empirical approaches across styles and …, 2014 | 26 | 2014 |
| Expressive Devices and Perceived Musical Character in 34 Performances of Variation 7 from Bach's Goldbergvariations D Fabian, E Schubert Musicae Scientiae 7 (1_suppl), 49-71, 2003 | 26 | 2003 |
| The dimensions of baroque music performance: a semantic differential study E Schubert, D Fabian Psychology of Music 34 (4), 573-587, 2006 | 25 | 2006 |
| Towards a performance history of Bach’s Sonatas and Partitas for Solo Violin: Preliminary investigations D Fabian, L Vikarius, V Lampert Scarecrow Press, 2005 | 25 | 2005 |
| A spiral model of musical decision-making D Bangert, E Schubert, D Fabian Frontiers in psychology 5, 320, 2014 | 24 | 2014 |
| Performing solo Bach: A case study of musical decision-making D Bangert, D Fabian, E Schubert, D Yeadon Musicae Scientiae 18 (1), 35-52, 2014 | 23 | 2014 |
| Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from JS Bach's Goldberg Variations (BWV 988) D Fabian, E Schubert Musicae Scientiae 12 (2), 177-206, 2008 | 22 | 2008 |
| Commercial sound recordings and trends in expressive music performance: Why should experimental researchers pay attention D Fabian Expressiveness in music performance: Empirical approaches across styles and …, 2014 | 20 | 2014 |
| Musicology and Performance Practice: In Search of a Historical Syle with Bach Recordings D Fabian Somorjay Studia Musicologica Academiae Scientiarum Hungaricae 41 (1-3), 77-106, 2000 | 19 | 2000 |
| Classical sound recordings and live performances: artistic and analytical perspectives D Fabian, M Dogantan-Dack Middlesex University, 2008 | 18 | 2008 |
| Variety in performance: A comparative analysis of recorded performances of Bach's sixth suite for solo cello from 1961 to 1998 A Sung, D Fabian Empirical Musicology Review, 2011 | 17 | 2011 |
| Identity in violin playing on records: interpretation profiles in recordings of solo bach by early twentiety-century violinists D Fabian, E Ornoy Performance Practice Review 14 (1), 3, 2009 | 16 | 2009 |
| Analyzing difference in recordings of Bach’s violin solos with a lead from Gilles Deleuze D Fabian Music Theory Online 23 (4), 2017 | 13 | 2017 |
| Practice thoughts and performance action: Observing processes of musical decision-making D Bangert, E Schubert, D Fabian Music Performance Research 7 (1), 27-46, 2015 | 13 | 2015 |
Emery SchubertUniversity of New South WalesVerified email at unsw.edu.au
