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Dorottya Fabian
Dorottya Fabian
Professor of Music, UNSW Australia
Verified email at unsw.edu.au - Homepage
Title
Cited by
Cited by
Year
Expressiveness in music performance: Empirical approaches across styles and cultures
D Fabian, R Timmers, E Schubert
Oxford University Press, USA, 2014
1122014
Bach performance practice, 1945–1975: A comprehensive review of sound recordings and literature
D Fabian
Routledge, 2017
912017
The meaning of authenticity and the early music movement: A historical review
D Fabian
International Review of the Aesthetics and Sociology of Music, 153-167, 2001
782001
A Musicology of Performance: theory an method based on Bach's Solos for Violin
D Fabian
Open Book Publishers http://www.openbookpublishers.com/product/346/ 1, DOIá…, 2015
542015
Philosophical reflections on expressive music performance
M Dogantan-Dack
Expressiveness in music performance empirical approaches across styles andá…, 2014
352014
The recordings of Joachim, Ysa e and Sarasate in light of their reception by nineteenth-century British critics
D Fabian
International Review of the Aesthetics and Sociology of Music 37 (2), 189-211, 2006
282006
Expressive Devices and Perceived Musical Character in 34 Performances of Variation 7 from Bach's Goldbergvariations
D Fabian, E Schubert
Musicae Scientiae 7 (1_suppl), 49-71, 2003
252003
Toward a Performance History of Bach’s Sonatas and Partitas for Solo Violin: Preliminary Investigations
D Fabian
na, 2005
232005
A taxonomy of listeners’ judgements of expressiveness in music performance
E Schubert, D Fabian
Expressiveness in music performance: Empirical approaches across styles andá…, 2014
222014
Performing solo Bach: A case study of musical decision-making
D Bangert, D Fabian, E Schubert, D Yeadon
Musicae Scientiae 18 (1), 35-52, 2014
222014
Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from JS Bach's Goldberg Variations (BWV 988)
D Fabian, E Schubert
Musicae Scientiae 12 (2), 177-206, 2008
212008
A spiral model of musical decision-making
D Bangert, E Schubert, D Fabian
Frontiers in psychology 5, 320, 2014
192014
The dimensions of baroque music performance: a semantic differential study
E Schubert, D Fabian
Psychology of Music 34 (4), 573-587, 2006
192006
Musicology and Performance Practice: In Search of a Historical Syle with Bach Recordings
D Fabian Somorjay
Studia Musicologica Academiae Scientiarum Hungaricae 41 (1-3), 77-106, 2000
192000
Commercial sound recordings and trends in expressive music performance: Why should experimental researchers pay attention
D Fabian
Expressiveness in music performance: Empirical approaches across styles andá…, 2014
182014
Variety in Performance: A comparative Analysis of Recorded Performances of Bach's Sixth Suite for Solo Cello from 1961 to 1998.
A Sung, D Fabian
Empirical Musicology Review 6 (1), 2011
182011
Classical sound recordings and live performances: artistic and analytical perspectives
D Fabian
Middlesex University, 2008
182008
Identity in violin playing on records: interpretation profiles in recordings of solo bach by early twentiety-century violinists
D Fabian, E Ornoy
Performance Practice Review 14 (1), 3, 2009
152009
Is diversity in musical performance truly in decline? The evidence of sound recordings
D Fabian
Context: Journal of Music Research 31, 165-180, 2006
142006
Perception and preference of dotted 6/8 patterns by experienced and less experienced baroque music listeners
S Emery, F Dorottya
音楽知覚認知研究= Journal of music perception and cognition 7 (2), 113-132, 2001
142001
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