| Ensemble performance: Interpersonal alignment of musical expression. P Keller Oxford University Press, 2014 | 120 | 2014 |
| Expressiveness in music performance: Empirical approaches across styles and cultures D Fabian, R Timmers, E Schubert Oxford University Press, USA, 2014 | 88 | 2014 |
| Bach performance practice, 1945-1975: A comprehensive review of sound recordings and literature D Fabian Routledge, 2017 | 79 | 2017 |
| The meaning of authenticity and the early music movement: A historical review D Fabian International Review of the Aesthetics and Sociology of Music, 153-167, 2001 | 64 | 2001 |
| A Musicology of Performance: theory an method based on Bach's Solos for Violin D Fabian Open Book Publishers http://www.openbookpublishers.com/product/346/ 1, DOI …, 2015 | 33 | 2015 |
| The recordings of Joachim, Ysaÿe and Sarasate in light of their reception by nineteenth-century British critics D Fabian International review of the aesthetics and sociology of music 37 (2), 189-211, 2006 | 24 | 2006 |
| Expressive Devices and Perceived Musical Character in 34 Performances of Variation 7 from Bach's Goldbergvariations D Fabian, E Schubert Musicae Scientiae 7 (1_suppl), 49-71, 2003 | 22 | 2003 |
| Performing solo Bach: A case study of musical decision-making D Bangert, D Fabian, E Schubert, D Yeadon Musicae Scientiae 18 (1), 35-52, 2014 | 20 | 2014 |
| The dimensions of baroque music performance: a semantic differential study E Schubert, D Fabian Psychology of Music 34 (4), 573-587, 2006 | 19 | 2006 |
| Toward a Performance History of Bach’s Sonatas and Partitas for Solo Violin: Preliminary Investigations D Fabian na, 2005 | 18 | 2005 |
| Musicology and Performance Practice: In Search of a Historical Syle with Bach Recordings D Fabian Somorjay Studia Musicologica Academiae Scientiarum Hungaricae 41 (1-3), 77-106, 2000 | 18 | 2000 |
| Expressive performance in contemporary concert music E Clarke, M Doffman Expressiveness in music performance: Empirical approaches across styles and …, 2014 | 17 | 2014 |
| Variety in performance: A comparative analysis of recorded performances of Bach's sixth suite for solo cello from 1961 to 1998 A Sung, D Fabian Empirical Musicology Review, 2011 | 17 | 2011 |
| A taxonomy of listeners' judgements of expressiveness in music performance E Schubert, D Fabian Expressiveness in music performance: Empirical approaches across styles and …, 2014 | 15 | 2014 |
| A spiral model of musical decision-making D Bangert, E Schubert, D Fabian Frontiers in psychology 5, 320, 2014 | 15 | 2014 |
| Commercial sound recordings and trends in expressive music performance: Why should experimental researchers pay attention D Fabian Expressiveness in music performance: Empirical approaches across styles and …, 2014 | 13 | 2014 |
| Identity in violin playing on records: interpretation profiles in recordings of solo bach by early twentiety-century violinists D Fabian, E Ornoy Performance Practice Review 14 (1), 3, 2009 | 13 | 2009 |
| Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from JS Bach's Goldberg Variations (BWV 988) D Fabian, E Schubert Musicae Scientiae 12 (2), 177-206, 2008 | 13 | 2008 |
| Perception and preference of dotted 6/8 patterns by experienced and less experienced baroque music listeners E Schubert, D Fabian Journal of Music Perception and Cognition 7 (2), 113-132, 2001 | 13 | 2001 |
| Practice thoughts and performance action: Observing processes of musical decision-making. D Bangert, E Schubert, D Fabian Music Performance Research 7 (1), 2015 | 12 | 2015 |
Emery SchubertUniversity of New South WalesVerified email at unsw.edu.au
