Dorottya Fabian
Dorottya Fabian
Professor of Music, UNSW Australia
Verified email at unsw.edu.au - Homepage
Title
Cited by
Cited by
Year
Ensemble performance: Interpersonal alignment of musical expression.
P Keller
Oxford University Press, 2014
1202014
Expressiveness in music performance: Empirical approaches across styles and cultures
D Fabian, R Timmers, E Schubert
Oxford University Press, USA, 2014
882014
Bach performance practice, 1945-1975: A comprehensive review of sound recordings and literature
D Fabian
Routledge, 2017
792017
The meaning of authenticity and the early music movement: A historical review
D Fabian
International Review of the Aesthetics and Sociology of Music, 153-167, 2001
642001
A Musicology of Performance: theory an method based on Bach's Solos for Violin
D Fabian
Open Book Publishers http://www.openbookpublishers.com/product/346/ 1, DOIá…, 2015
332015
The recordings of Joachim, Ysa e and Sarasate in light of their reception by nineteenth-century British critics
D Fabian
International review of the aesthetics and sociology of music 37 (2), 189-211, 2006
242006
Expressive Devices and Perceived Musical Character in 34 Performances of Variation 7 from Bach's Goldbergvariations
D Fabian, E Schubert
Musicae Scientiae 7 (1_suppl), 49-71, 2003
222003
Performing solo Bach: A case study of musical decision-making
D Bangert, D Fabian, E Schubert, D Yeadon
Musicae Scientiae 18 (1), 35-52, 2014
202014
The dimensions of baroque music performance: a semantic differential study
E Schubert, D Fabian
Psychology of Music 34 (4), 573-587, 2006
192006
Toward a Performance History of Bach’s Sonatas and Partitas for Solo Violin: Preliminary Investigations
D Fabian
na, 2005
182005
Musicology and Performance Practice: In Search of a Historical Syle with Bach Recordings
D Fabian Somorjay
Studia Musicologica Academiae Scientiarum Hungaricae 41 (1-3), 77-106, 2000
182000
Expressive performance in contemporary concert music
E Clarke, M Doffman
Expressiveness in music performance: Empirical approaches across styles andá…, 2014
172014
Variety in performance: A comparative analysis of recorded performances of Bach's sixth suite for solo cello from 1961 to 1998
A Sung, D Fabian
Empirical Musicology Review, 2011
172011
A taxonomy of listeners' judgements of expressiveness in music performance
E Schubert, D Fabian
Expressiveness in music performance: Empirical approaches across styles andá…, 2014
152014
A spiral model of musical decision-making
D Bangert, E Schubert, D Fabian
Frontiers in psychology 5, 320, 2014
152014
Commercial sound recordings and trends in expressive music performance: Why should experimental researchers pay attention
D Fabian
Expressiveness in music performance: Empirical approaches across styles andá…, 2014
132014
Identity in violin playing on records: interpretation profiles in recordings of solo bach by early twentiety-century violinists
D Fabian, E Ornoy
Performance Practice Review 14 (1), 3, 2009
132009
Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from JS Bach's Goldberg Variations (BWV 988)
D Fabian, E Schubert
Musicae Scientiae 12 (2), 177-206, 2008
132008
Perception and preference of dotted 6/8 patterns by experienced and less experienced baroque music listeners
E Schubert, D Fabian
Journal of Music Perception and Cognition 7 (2), 113-132, 2001
132001
Practice thoughts and performance action: Observing processes of musical decision-making.
D Bangert, E Schubert, D Fabian
Music Performance Research 7 (1), 2015
122015
The system can't perform the operation now. Try again later.
Articles 1–20