Dorottya Fabian
Dorottya Fabian
Professor of Music, UNSW Australia
Verified email at unsw.edu.au - Homepage
TitleCited byYear
Ensemble performance: Interpersonal alignment of musical expression
PE Keller
Expressiveness in music performance: Empirical approaches across styles and …, 2014
882014
Bach performance practice, 1945-1975: A comprehensive review of sound recordings and literature
D Fabian
Routledge, 2017
652017
Expressiveness in music performance: Empirical approaches across styles and cultures
D Fabian, R Timmers, E Schubert
Oxford University Press, USA, 2014
492014
The meaning of authenticity and the early music movement: A historical review
D Fabian
International Review of the Aesthetics and Sociology of Music, 153-167, 2001
452001
Expressive Devices and Perceived Musical Character in 34 Performances of Variation 7 from Bach's Goldbergvariations
D Fabian, E Schubert
Musicae Scientiae 7 (1_suppl), 49-71, 2003
212003
A Musicology of Performance: theory an method based on Bach's Solos for Violin
D Fabian
Open Book Publishers http://www.openbookpublishers.com/product/346/ 1, DOI …, 2015
192015
The recordings of Joachim, Ysa˙e and Sarasate in light of their reception by nineteenth-century British critics
D Fabian
International review of the aesthetics and sociology of music 37 (2), 189-211, 2006
192006
The dimensions of baroque music performance: a semantic differential study
E Schubert, D Fabian
Psychology of Music 34 (4), 573-587, 2006
172006
Toward a Performance History of Bach’s Sonatas and Partitas for Solo Violin: Preliminary Investigations
D Fabian
na, 2005
152005
Musicology and Performance Practice: In Search of a Historical Syle with Bach Recordings
D Fabian Somorjay
Studia Musicologica Academiae Scientiarum Hungaricae 41 (1-3), 77-106, 2000
142000
Expressive performance in contemporary concert music
E Clarke, M Doffman
Expressiveness in music performance: Empirical approaches across styles and …, 2014
132014
Variety in performance: A comparative analysis of recorded performances of Bach's sixth suite for solo cello from 1961 to 1998
A Sung, D Fabian
Empirical Musicology Review, 2011
132011
Perception and preference of dotted 6/8 patterns by experienced and less experienced baroque music listeners
E Schubert, D Fabian
Journal of Music Perception and Cognition 7 (2), 113-132, 2001
132001
Performing solo Bach: A case study of musical decision-making
D Bangert, D Fabian, E Schubert, D Yeadon
Musicae Scientiae 18 (1), 35-52, 2014
122014
Practice thoughts and performance action: Observing processes of musical decision-making.
D Bangert, E Schubert, D Fabian
Music Performance Research 7 (1), 2015
112015
A Taxonomy of Listeners' Judgements of Expressiveness in Music Performance
E Schubert, D Fabian
Expressiveness in music performance: Empirical approaches across styles and …, 2014
112014
A spiral model of musical decision-making
D Bangert, E Schubert, D Fabian
Frontiers in psychology 5, 320, 2014
112014
Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from JS Bach's Goldberg Variations (BWV 988)
D Fabian, E Schubert
Musicae Scientiae 12 (2), 177-206, 2008
102008
Identity in violin playing on records: interpretation profiles in recordings of solo bach by early twentiety-century violinists
D Fabian, E Ornoy
Performance Practice Review 14 (1), 3, 2009
92009
An experimental investigation of emotional character portrayed by piano versus harpsichord performances of a JS Bach excerpt
E Schubert, D Fabian
Mackinlay. E.(Ed), Aesthetics and Experience in Music Performance, 7-94, 2005
92005
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