| Expressiveness in music performance: Empirical approaches across styles and cultures D Fabian, R Timmers, E Schubert Oxford University Press, USA, 2014 | 112 | 2014 |
| Bach performance practice, 1945–1975: A comprehensive review of sound recordings and literature D Fabian Routledge, 2017 | 91 | 2017 |
| The meaning of authenticity and the early music movement: A historical review D Fabian International Review of the Aesthetics and Sociology of Music, 153-167, 2001 | 78 | 2001 |
| A Musicology of Performance: theory an method based on Bach's Solos for Violin D Fabian Open Book Publishers http://www.openbookpublishers.com/product/346/ 1, DOI …, 2015 | 54 | 2015 |
| Philosophical reflections on expressive music performance M Dogantan-Dack Expressiveness in music performance empirical approaches across styles and …, 2014 | 35 | 2014 |
| The recordings of Joachim, Ysaÿe and Sarasate in light of their reception by nineteenth-century British critics D Fabian International Review of the Aesthetics and Sociology of Music 37 (2), 189-211, 2006 | 28 | 2006 |
| Expressive Devices and Perceived Musical Character in 34 Performances of Variation 7 from Bach's Goldbergvariations D Fabian, E Schubert Musicae Scientiae 7 (1_suppl), 49-71, 2003 | 25 | 2003 |
| Toward a Performance History of Bach’s Sonatas and Partitas for Solo Violin: Preliminary Investigations D Fabian na, 2005 | 23 | 2005 |
| A taxonomy of listeners’ judgements of expressiveness in music performance E Schubert, D Fabian Expressiveness in music performance: Empirical approaches across styles and …, 2014 | 22 | 2014 |
| Performing solo Bach: A case study of musical decision-making D Bangert, D Fabian, E Schubert, D Yeadon Musicae Scientiae 18 (1), 35-52, 2014 | 22 | 2014 |
| Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from JS Bach's Goldberg Variations (BWV 988) D Fabian, E Schubert Musicae Scientiae 12 (2), 177-206, 2008 | 21 | 2008 |
| A spiral model of musical decision-making D Bangert, E Schubert, D Fabian Frontiers in psychology 5, 320, 2014 | 19 | 2014 |
| The dimensions of baroque music performance: a semantic differential study E Schubert, D Fabian Psychology of Music 34 (4), 573-587, 2006 | 19 | 2006 |
| Musicology and Performance Practice: In Search of a Historical Syle with Bach Recordings D Fabian Somorjay Studia Musicologica Academiae Scientiarum Hungaricae 41 (1-3), 77-106, 2000 | 19 | 2000 |
| Commercial sound recordings and trends in expressive music performance: Why should experimental researchers pay attention D Fabian Expressiveness in music performance: Empirical approaches across styles and …, 2014 | 18 | 2014 |
| Variety in Performance: A comparative Analysis of Recorded Performances of Bach's Sixth Suite for Solo Cello from 1961 to 1998. A Sung, D Fabian Empirical Musicology Review 6 (1), 2011 | 18 | 2011 |
| Classical sound recordings and live performances: artistic and analytical perspectives D Fabian Middlesex University, 2008 | 18 | 2008 |
| Identity in violin playing on records: interpretation profiles in recordings of solo bach by early twentiety-century violinists D Fabian, E Ornoy Performance Practice Review 14 (1), 3, 2009 | 15 | 2009 |
| Is diversity in musical performance truly in decline? The evidence of sound recordings D Fabian Context: Journal of Music Research 31, 165-180, 2006 | 14 | 2006 |
| Perception and preference of dotted 6/8 patterns by experienced and less experienced baroque music listeners S Emery, F Dorottya 音楽知覚認知研究= Journal of music perception and cognition 7 (2), 113-132, 2001 | 14 | 2001 |
Emery SchubertUniversity of New South WalesVerified email at unsw.edu.au
