| Echo and reverb: Fabricating space in popular music recording, 1900-1960 P Doyle Wesleyan University Press, 2005 | 411 | 2005 |
| From ‘My Blue Heaven’to ‘Race with the Devil’: echo, reverb and (dis) ordered space in early popular music recording P Doyle Popular music 23 (1), 31-49, 2004 | 54 | 2004 |
| Historical records, national constructions: the contemporary popular music archive S Baker, P Doyle, S Homan Popular Music, Cultural Memory, and Heritage, 8-26, 2019 | 41 | 2019 |
| City of shadows: Sydney police photographs, 1912-1948 P Doyle Historic Houses Trust of New South Wales, 2005 | 37 | 2005 |
| Perving at Crime Scenes Authenticity, Ethics, Aesthetics: A Conversation K Biber, P Doyle, K Rossmanith Griffith Law Review 22 (3), 804-814, 2013 | 20 | 2013 |
| Crooks like us P Doyle Historic Houses Trust of New South Wales, 2009 | 14 | 2009 |
| Changing patterns of work. P Doyle BMJ: British Medical Journal 303 (6808), 982, 1991 | 10 | 1991 |
| The kibitzing archive P Doyle Text 17 (Special 18), 1-13, 2013 | 8 | 2013 |
| Amaze Your Friends P Doyle Verse Chorus Press, 2019 | 7 | 2019 |
| Ghosts of electricity: Amplification P Doyle The SAGE handbook of popular music, 532-48, 2015 | 7 | 2015 |
| ‘Burn me up this time fellas!': when movies represent the recording studio P Doyle Continuum 27 (6), 900-912, 2013 | 7 | 2013 |
| The sociosemiotics of electricity sub‐stations P Doyle Social Semiotics 1 (1), 81-98, 1991 | 6 | 1991 |
| Girl gangs, biker boys, and real cool cats: pulp fiction and youth culture, 1950 to 1980 P Doyle Pm Press, 2017 | 5 | 2017 |
| Citizen Dylan P Doyle Studies in Documentary Film 1 (1), 67-75, 2007 | 5 | 2007 |
| Public Eye, Private Eye: Sydney Police Mug Shots, 1912–1930 P Doyle Scan Journal 1 (1), 1-30, 2004 | 5 | 2004 |
| Flying saucer rock and roll: the Australian press confronts early rock and roll P Doyle Perfect Beat 4 (3), 24-47, 1999 | 5 | 1999 |
| The tough sell: Narrating the artist–hustler relationship P Doyle Musicology Australia 33 (2), 165-173, 2011 | 4 | 2011 |
| Get rich quick P Doyle Verse Chorus Press, 2012 | 3 | 2012 |
| Hard Looks: Faces, Bodies, Lives in Early Sydney Police Portrait Photography P Doyle Photography and Ontology, 56-71, 2018 | 2 | 2018 |
| Reverb, Acousmata, and the Backstage Musical P Doyle The Routledge Companion to Screen Music and Sound, 577-589, 2017 | 2 | 2017 |
