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Co-authors
John SlobodaResearch Professor, Guildhall School of Music & DramaVerified email at gsmd.ac.uk- Gary E McPhersonOrmond Professor of MusicVerified email at unimelb.edu.au
- Derek MooreProfessor of Psychology, Pro-Vice-Chancellor, University of Greenwich, LondonVerified email at surrey.ac.uk
- Sandra GarridoMARCS Institute, Western Sydney UniversityVerified email at westernsydney.edu.au
- Karen BurlandUniversity of LeedsVerified email at leeds.ac.uk
- Wendy L. MageeAssociate ProfessorVerified email at temple.edu
- Amanda KrauseJames Cook UniversityVerified email at jcu.edu.au
- Filipa Martins Baptista LaResearcher @ Faculty of Education, UNED, SpainVerified email at edu.uned.es
- Dimitra KokotsakiAssociate Professor in Education, University of DurhamVerified email at durham.ac.uk
- Juyoung LeeThe University of MelbourneVerified email at unimelb.edu.au
- Aaron WilliamonCentre for Performance Science, Royal College of Music | Imperial College LondonVerified email at rcm.ac.uk
- Georgina JonesVerified email at leedsbeckett.ac.uk
- Adrian NorthSchool of Psychology and Speech Pathology, Curtin UniversityVerified email at curtin.edu.au
- James M.M. GoodDepartment of Psychology, Durham University, UKVerified email at durham.ac.uk
- Mary C. BroughtonSchool of Music, University of QueenslandVerified email at uq.edu.au
- Margaret BarrettMonash UniversityVerified email at monash.edu
- Margaret S. OsbornePerformance Psychologist, Senior Lecturer, The University of MelbourneVerified email at unimelb.edu.au
- Paul EvansSenior LecturerVerified email at unsw.edu.au
- Felicity BakerUniversity of MelbourneVerified email at unimelb.edu.au
- Samantha DieckmannFaculty of Music, University of OxfordVerified email at music.ox.ac.uk
Jane Davidson
Professor of Creative and Performing Arts, the University of Melbourne
Verified email at unimelb.edu.au