| From difficult dialogues to critical conversations: Intersectionality in our teaching and professional lives AJ Alejano-Steele, M Hamington, L MacDonald, M Potter, S Schafer, ... New Directions for Teaching and Learning 125 (2011), 91-100, 2011 | 35 | 2011 |
| BIG STORIES, SMALL TOWNS: a participatory and web-based documentary and exegesis www.bigstories.com.au M Potter Flinders University, 2014 | 16* | 2014 |
| Bad actors never sleep: content manipulation on Reddit M Potter Continuum 35 (4), 2021 | 10 | 2021 |
| The potential of a narrative and creative arts approach to enhance transition outcomes for Indigenous Australians following traumatic brain injury M Fitts, K Bird, J Fleming, J Gilroy, A Clough, A Esterman, P Maruff, ... Brain Impairment 20 (2), 160-170, 2019 | 10 | 2019 |
| Critical junctures: place-based storytelling in the Big Stories, Small Towns participatory documentary project M Potter media international australia 164 (1), 117-127, 2017 | 10 | 2017 |
| Edges of Identity: The Production of Neoliberal Subjectivities J Louth, M Potter University of Chester Press 10, 320, 2017 | 9 | 2017 |
| The production of neoliberal subjectivities: constellations of domination and resistance M Potter, J Louth Edges Of Identity: The Production of Neoliberal Subjectivities 10, 23, 2017 | 7 | 2017 |
| British and Catholic?: national and religious identity in the work of David Jones, Evelyn Waugh and Muriel Spark M Potter Peter Lang AG, Internationaler Verlag der Wissenschaften, 2013 | 6 | 2013 |
| MediaLab: video as a multi-valent tool for science teaching and learning M Potter, KL Tuck, AJ Robinson, PW Richardson, A Grieve Media Practice and Education 22 (1), 23-37, 2021 | 5 | 2021 |
| The Tarob and the Sacred Oath. Liminal Spirits and Stories Creating Heterotopic Spaces in Dusun Culture M Potter etropic 16 (1), 112-124, 2017 | 5 | 2017 |
| Story systems: the potential of transmedia storytelling as material embodiment of a collective enactment of place and identity M Potter Con la Red / En la Red: Creación, Investigación y Comunicación Cultural y …, 2017 | 4 | 2017 |
| Dark LJ Heemsbergen, A Maddox, T Cinque, A Johns, R Gehl M/C Journal 24 (2), 2021 | 3 | 2021 |
| Local Content Producers: Co-Creating Communal Stories and Community in the Big Stories, Small Towns Participatory Documentary Project M Potter The Palgrave Handbook of Screen Production, 193-206, 2019 | 2 | 2019 |
| Stereopublic: crowdsourcing the quiet J Sweeney Retrieved 2 (2017), 16, 2013 | 2 | 2013 |
| David Jones’ Catholic Engagement with Modernism and the Development of Tradition M Potter David Jones: A Christian Modernist?, 37-47, 2017 | 1 | 2017 |
| Urban transformations in Phnom Penh: creative collectives, the white building and the production of space M Potter, J Louth Edges Of Identity: The Production of Neoliberal Subjectivities 10, 28, 2017 | 1 | 2017 |
| Challenge for Change: Activist Documentary at the National Film Board of Canada M Potter Senses of Cinema, 2012 | 1* | 2012 |
| Catholic Approaches to Jerusalem: Fragmentation and Continuity of Identities-Evelyn Waugh's Helena and Muriel Spark's The Mandelbaum Gate M Potter Topodynamics of Arrival, 115-138, 2012 | 1 | 2012 |
| Island Connect: video and art collectives to support inter-cultural dialogue, learning and connection in Sri Lanka M Potter Deakin University, 2024 | | 2024 |
| Art, Activism and Rock n Roll: Radical Art Collectives in South East Asia M Potter, C Hill-Smith Deakin University, 2024 | | 2024 |
Jonathon LouthUniversity of South AustraliaVerified email at unisa.edu.au
