| The social web and archaeology’s restructuring: Impact, exploitation, disciplinary change S Perry, N Beale Open Archaeology 1 (open-issue), 2015 | 59 | 2015 |
| The museum as digital storyteller: Collaborative participatory creation of interactive digital experiences M Roussou, L Pujol, A Katifori, A Chrysanthi, S Perry, M Vayanou | 32 | 2015 |
| Fractured media: challenging the dimensions of archaeology’s typical visual modes of engagement S Perry Archaeologies 5 (3), 389-415, 2009 | 30 | 2009 |
| State of the ethics in visual anthropology S Perry, JS Marion Visual Anthropology Review 26 (2), 96-104, 2010 | 29 | 2010 |
| Cultivating mobile-mediated social interaction in the museum: Towards group-based digital storytelling experiences A Katifori, S Perry, M Vayanou, L Pujol, A Chrysan, V Kourtis, Y Ioannidis | 24 | 2016 |
| Crafting knowledge with (digital) visual media in archaeology S Perry, R Chapman, A Wylie Material evidence: learning from archaeological practice, 189-210, 2014 | 23 | 2014 |
| Moving beyond the virtual museum: Engaging visitors emotionally S Perry, M Roussou, M Economou, H Young, L Pujol 2017 23rd International Conference on Virtual System & Multimedia (VSMM), 1-8, 2017 | 22 | 2017 |
| The enchantment of the archaeological record S Perry European Journal of Archaeology 22 (3), 354-371, 2019 | 18 | 2019 |
| Materializing media archaeologies: The MAD-P hard drive excavation S Perry, C Morgan Journal of Contemporary Archaeology 2 (1), 94-104, 2015 | 13 | 2015 |
| The EMOTIVE Project-Emotive Virtual Cultural Experiences through Personalized Storytelling. A Katifori, M Roussou, S Perry, G Drettakis, S Vizcay, J Philip CIRA@ EuroMed, 11-20, 2018 | 12 | 2018 |
| Digital media, power and (in) equality in archaeology and heritage S Perry, L Shipley, J Osborne Internet Archaeology 38, 1-7, 2015 | 11 | 2015 |
| Archaeological visualization and the manifestation of the discipline: model-making at the Institute of Archaeology, London S Perry, B Alberti, AM Jones, J Pollard Archaeology after interpretation: returning materials to archaeological …, 2013 | 11 | 2013 |
| Reconstruction art and disciplinary practice: Alan Sorrell and the negotiation of the archaeological record S Perry, M Johnson The Antiquaries Journal 94, 323-352, 2014 | 9 | 2014 |
| Transformation through Provocation? M Roussou, S Perry, A Katifori, S Vassos, A Tzouganatou, S McKinney Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems …, 2019 | 8 | 2019 |
| Why are Heritage Interpreters Voiceless at the Trowel's Edge? A Plea for Rewriting the Archaeological Workflow S Perry Advances in Archaeological Practice 6 (3), 212-227, 2018 | 8 | 2018 |
| Collection and production: the history of the Institute of Archaeology through photography A Thornton, S Perry Archaeology International 13, 2011 | 8 | 2011 |
| The archaeological eye: visualisation and the institutionalisation of academic archaeology in London SE Perry University of Southampton, 2011 | 8 | 2011 |
| Theorising the Digital: A Call to Action for the Archaeological Community S Perry, J Taylor, M Matsumoto, E Uleberg Oceans of Data: Proceedings of the 44th Conference on Computer Applications …, 2018 | 7 | 2018 |
| Archaeology on television, 1937 S Perry Public Archaeology 16 (1), 3-18, 2017 | 6 | 2017 |
| Archaeological visualisation and the manifestation of the discipline: model-making at the Institute of Archaeology, London S Perry Archaeology after Interpretation: Returning Materials to Archaeological …, 2013 | 6 | 2013 |
