Denis Crowdy
Title
Cited by
Cited by
Year
Still jumping on the balance beam: Continued use of perceptual motor programs in Australian schools
J Stephenson, M Carter, K Wheldall
Australian journal of Education 51 (1), 6-18, 2007
36*2007
'What Constitutes Artist Success in the Australian Music Industries?'
M Evans
International Journal of Music Business Research (IJMBR), 2013
212013
Guitar style, open tunings, and stringband music in Papua New Guinea
D Crowdy
Institute of Papua New Guinea Studies, 2005
182005
Papua New Guinean music and the politics of sound recording
D Crowdy, S Feld
Department of Contemporary Music Studies at Macquarie University, 2002
132002
Studios at home in the Solomon Islands: a case study of Homesound Studios, Honiara
D Crowdy
the world of music, 143-154, 2007
112007
Studios at home in the Solomon Islands: a case study of Homesound Studios, Honiara
D Crowdy
the world of music, 143-154, 2007
112007
The guitar cultures of Papua New Guinea: regional, social and stylistic diversity
D Crowdy
Oxford, UK: Berg, 2001
112001
Creativity and independence: Sanguma, music education and the development of the PNG contemporary style
D Crowdy
Perfect Beat 3 (4), 13-25, 1998
101998
From the ashes: a case study of the re-development of local music recording in Rabaul (Papua New Guinea) following the 1994 volcanic eruptions
D Crowdy, P Hayward
Convergence 5 (3), 67-82, 1999
91999
Offline and online: Liveness in the Australian music industries
S Keith, D Hughes, D Crowdy, G Morrow, M Evans
The State of the music industry, 221-241, 2014
82014
Music education and the contemporary, multi-industry landscape
D Hughes, S Keith, G Morrow, M Evans, D Crowdy
Redefining the musical landscape: Inspired learning and innovation in music …, 2013
52013
Chasing an aesthetic tail: Latent technological imperialism in mainstream production
D Crowdy
New York: Routledge, 2013
52013
Music education and the contemporary, multi-industry landscape
D Hughes, S Keith, G Morrow, M Evans, D Crowdy
Redefining the musical landscape: Inspired learning and innovation in music …, 2013
52013
The pedagogy, culture and appropriation of Jazz in Papua New Guinea
D Crowdy, M Goddard
Perfect Beat 4 (3), 48-65, 1999
51999
PNG CONTEMPORARY AND THE ROLE OF THE FCA DENIS CROWDY Replies
D CROWDY
Perfect Beat 4 (3), 96-98, 2015
42015
Playing tricks on the'magic men'of PNG (Sanguma)
D Crowdy
Popular Music: Commemoration, Commodification and Communication: Proceedings …, 2004
42004
Playing tricks on the'magic men'of PNG (Sanguma)
D Crowdy
Popular Music: Commemoration, Commodification and Communication: Proceedings …, 2004
42004
The technology, aesthetics and cultural politics of a collaborative, transnational music recording project: Veiga Veiga and the itinerant overdubs
D Crowdy, K Neuenfeldt
Rockhampton: Central Queensland University,, 2003
42003
When digital is physical and ethnomusicologists are file sharers
D Crowdy
Journal of World Popular Music 2 (1), 61-77, 2015
32015
Live music and living as a musician in Moresby
D Crowdy
Villagers and the City: Melanesian Experiences of Port Moresby, Papua New …, 2010
32010
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Articles 1–20