| 'What Constitutes Artist Success in the Australian Music Industries?' M Evans International Journal of Music Business Research (IJMBR), 2013 | 41 | 2013 |
| Guitar Style, Open Tunings, and Stringband Music in Papua New Guinea D Crowdy Institute of Papua New Guinea Studies, 2005 | 26 | 2005 |
| Hearing the future: the music and magic of the Sanguma band D Crowdy University of Hawaii Press, 2017 | 20* | 2017 |
| Studios at home in the Solomon Islands: a case study of Homesound Studios, Honiara D Crowdy The World of Music, 143-154, 2007 | 17 | 2007 |
| Studios at home in the Solomon Islands: a case study of Homesound Studios, Honiara D Crowdy The World of Music, 143-154, 2007 | 17 | 2007 |
| Offline and online: Liveness in the Australian music industries S Keith, D Hughes, D Crowdy, G Morrow, M Evans The State of the music industry, 221-241, 2014 | 13 | 2014 |
| The guitar cultures of Papua New Guinea: regional, social and stylistic diversity D Crowdy Guitar cultures, 135-155, 2020 | 12 | 2020 |
| Chasing an aesthetic tail: Latent technological imperialism in mainstream production D Crowdy Redefining mainstream popular music, 150-161, 2013 | 12 | 2013 |
| Papua New Guinean music and the politics of sound recording D Crowdy, S Feld Perfect Beat 5 (4), 78-85, 2002 | 12 | 2002 |
| Creativity and independence: Sanguma, music education and the development of the PNG contemporary style D Crowdy Perfect Beat 3 (4), 13-25, 1998 | 12 | 1998 |
| When digital is physical and ethnomusicologists are file sharers D Crowdy Journal of world popular music 2 (1), 61-77, 2015 | 10 | 2015 |
| The technology, aesthetics and cultural politics of a collaborative, transnational music recording project: Veiga Veiga and the itinerant overdubs D Crowdy, K Neuenfeldt CQUniversity, 2003 | 8 | 2003 |
| Music education and the contemporary, multi-industry landscape D Hughes, S Keith, G Morrow, M Evans, D Crowdy Redefining the musical landscape: Inspired learning and innovation in music …, 2013 | 7 | 2013 |
| Music education and the contemporary, multi-industry landscape D Hughes, S Keith, G Morrow, M Evans, D Crowdy Redefining the musical landscape: Inspired learning and innovation in music …, 2013 | 7 | 2013 |
| Passing the torch: commemorating the songs of Fanny Cochrane Smith J Jacques, D Crowdy Popular music: commemoration, commodification and communication, 11-20, 2004 | 7 | 2004 |
| From the ashes: a case study of the re-development of local music recording in Rabaul (Papua New Guinea) following the 1994 volcanic eruptions D Crowdy, P Hayward Convergence 5 (3), 67-82, 1999 | 7 | 1999 |
| 14 Tribute without attribution: kopikat, covers and copyright in Papua New Guinea D Crowdy Access All Eras: Tribute Bands And Global Pop Culture: Tribute Bands and …, 2006 | 6 | 2006 |
| 14 Tribute without attribution: kopikat, covers and copyright in Papua New Guinea D Crowdy Access All Eras: Tribute Bands And Global Pop Culture: Tribute Bands and …, 2006 | 6 | 2006 |
| Post-Colonial Distances: The Study of Popular Music in Canada and Australia D Crowdy, B Diamond, D Downes Cambridge Scholars Publishing, 2020 | 5 | 2020 |
| Post-Colonial Distances: The Study of Popular Music in Canada and Australia D Crowdy, B Diamond, D Downes Cambridge Scholars Publishing, 2020 | 5 | 2020 |
