| Acoustic jurisprudence: Listening to the trial of Simon Bikindi JEK Parker Oxford University Press, 2015 | 100 | 2015 |
| The soundscape of justice J Parker Griffith Law Review 20 (4), 962-993, 2011 | 38 | 2011 |
| Towards an acoustic jurisprudence: Law and the long range acoustic device JEK Parker Law, Culture and the Humanities 14 (2), 202-218, 2018 | 31 | 2018 |
| Sonic lawfare: On the jurisprudence of weaponised sound JEK Parker Sound Studies 5 (1), 72-96, 2019 | 28 | 2019 |
| Eavesdropping: A Reader J Parker, J Stern | 14 | 2019 |
| Gavel JEK Parker International Law’s Objects, 214-224, 2018 | 13 | 2018 |
| 'how are you today'by the Manus Recording Project Collective JEK Parker, J Stern Law Text Culture 24, 9-49, 2020 | 8 | 2020 |
| Forensic listening in Lawrence Abu Hamdan’s Saydnaya (the missing 19db) J Parker Index Journal 2, 145-168, 2020 | 6 | 2020 |
| ‘The Musicology of Justice: Simon Bikindi and Incitement to Genocide at the International Criminal Tribunal for Rwanda’ J Parker The Soundtrack of Conflict: The Role of Musioc in Radio Broadcasting in …, 2013 | 6 | 2013 |
| Simon Reynolds, Retromania and the Atemporality of Contemporary'Pop' J Parker Discipline 2, 156-164, 2012 | 6 | 2012 |
| Spirited away: Asylum law and the institutional violence of legal discourse J Parker Law Text Culture 11, 231-251, 2007 | 6 | 2007 |
| How to run a writing workshop? On the cultivation of scholarly ethics in ‘global’legal education M Chiam, S Pahuja, JEK Parker Australian Feminist Law Journal 44 (2), 289-302, 2018 | 4 | 2018 |
| A lexicon of law and listening JEK Parker SEE 2018, 253, 2023 | 2 | 2023 |
| Listening about law in the sonic arts: John Cage’s 4’33” and Lawrence Abu Hamdan’s Saydnaya (the missing 19dB) JEK Parker Routledge Handbook of International Law and the Humanities, 104-118, 2021 | 2 | 2021 |
| ‘All possible sounds’: speech, music, and the emergence of machine listening JEK Parker, S Dockray Sound Studies 9 (2), 253-281, 2023 | 1 | 2023 |
| Introduction: Sounding justice in pandemic times J Parker, M San Roque, S Ramshaw Law Text Culture 24, 1-8, 2020 | 1 | 2020 |
| (Against) the coming world of listening machines S Dockray, J Parker, J Stern Acoustic Intelligence, 39-46, 2022 | | 2022 |
| After Words S Dockray, J Parker, J Stern Data Relations, 2022 | | 2022 |
| Contents & Introduction, Law Text Culture, volume 24 J Parker, S Ramshaw, M San Roque Law Text Culture 24 (1), 1-8, 2020 | | 2020 |
| The Trouble with Contemporary Music Criticism J Parker, N Croggon How to Write About Music, 2015 | | 2015 |
