Karen Pearlman
Title
Cited by
Cited by
Year
Cutting rhythms: Shaping the film edit
K Pearlman
CRC Press, 2012
159*2012
Performing the UnNameable: An anthology of Australian performance texts
RJ Allen, K Pearlman
Currency Press in association with RealTime, 1999
251999
Edição como coreografia
K Pearlman
Dança em foco Festival Internacional de Vídeo & Dança, 38-44, 2009
92009
Editing as a form of choreography
K Pearlman
Screendance state of the art proceedings, 52-56, 2006
92006
Editing and cognition beyond continuity
K Pearlman
Projections 11 (2), 67-86, 2017
82017
Cutting rhythms in Chicago and Cabaret
K Pearlman
Cineaste 34 (2), 28-32, 2009
72009
A Dance of definitions
K Pearlman
RealTime 74, 20, 2006
52006
Creative Editing: Svilova and Vertov’s Distributed Cognition
K Pearlman, J MacKay, J Sutton
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2018
42018
Documentary editing and distributed cognition
K Pearlman
Cognitive theory and documentary film, 303-319, 2018
42018
The Rhythm of Thinking: Speculations on How an Editor Shapes the Rhythms of a Film
K Pearlman
Metro Magazine: Media & Education Magazine, 112, 2004
42004
Shaping edits, creating fractals: A cinematic case study
JE Cutting, K Pearlman
Projections 13 (1), 1-22, 2019
32019
Make our myths
K Pearlman
Australian Film, Television and Radio School (AFTRS), 2009
32009
Thursday's fictions
RJ Allen, K Pearlman
Physical TV Company Pty Limited, 2006
32006
Learning to Read the Physical Mind
K Pearlman
Body Show/s: Australian Viewings of Live Performance, 217, 2000
3*2000
New Life on the Second Floor
K Pearlman, RJ Allen
Tasdance, 1996
31996
Magic realism: Out of the blue
K Pearlman
Australian Film, Television and Radio School (AFTRS), 2010
22010
Genre is not a dirty word
K Pearlman, L Levy
Strawberry Hills, NSW: Australian Film Television and Radio School, 2010
22010
On Rhythm in Film Editing
K Pearlman
The Palgrave Handbook of the Philosophy of Film and Motion Pictures, 143-163, 2019
12019
Editing (for) Elizaveta: talking Svilova, Vertov and ‘responsive creativity’with Karen Pearlman
A Lambert, K Pearlman
Studies in Australasian Cinema 11 (3), 157-160, 2017
12017
If a dancing figure falls in the forest and nobody sees here...
K Pearlman
Participations Journal of Audience & Reception Studies 7, 236-248, 2010
12010
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Articles 1–20