Karen Pearlman
Title
Cited by
Cited by
Year
Cutting rhythms: Shaping the film edit
K Pearlman
CRC Press, 2012
1502012
Performing the unnameable: an anthology of Australian performance texts
RJ Allen, K Pearlman
Currency Press in association with RealTime, 1999
241999
Editing as a form of choreography
K Pearlman
Screendance state of the art proceedings, 52-56, 2006
92006
Edição como coreografia
K Pearlman
Dança em foco Festival Internacional de Vídeo & Dança, 38-44, 2009
82009
Editing and cognition beyond continuity
K Pearlman
Projections 11 (2), 67-86, 2017
72017
Cutting rhythms in Chicago and Cabaret
K Pearlman
Cineaste 34 (2), 28-32, 2009
72009
A Dance of definitions
K Pearlman
RealTime 74, 20, 2006
52006
Creative Editing: Svilova and Vertov’s Distributed Cognition
K Pearlman, J MacKay, J Sutton
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2018
42018
Documentary editing and distributed cognition
K Pearlman
Cognitive theory and documentary film, 303-319, 2018
42018
The Rhythm of Thinking: Speculations on How an Editor Shapes the Rhythms of a Film
K Pearlman
Metro Magazine: Media & Education Magazine, 112, 2004
42004
Make our myths
K Pearlman
Australian Film, Television and Radio School (AFTRS), 2009
32009
Learning to Read the Physical Mind
K Pearlman
Body Show/s: Australian Viewings of Live Performance, 217, 2000
3*2000
New Life on the Second Floor
K Pearlman, RJ Allen
Tasdance, 1996
31996
Magic realism: Out of the blue
K Pearlman
Australian Film, Television and Radio School (AFTRS), 2010
22010
Genre is not a dirty word
K Pearlman, L Levy
Strawberry Hills, NSW: Australian Film Television and Radio School, 2010
22010
Shaping Edits, Creating Fractals: A Cinematic Case Study
JE Cutting, K Pearlman
Projections 13 (1), 1-22, 2019
12019
Editing (for) Elizaveta: talking Svilova, Vertov and ‘responsive creativity’with Karen Pearlman
A Lambert, K Pearlman
Studies in Australasian Cinema 11 (3), 157-160, 2017
12017
If a dancing figure falls in the forest and nobody sees here...
K Pearlman
Participations Journal of Audience & Reception Studies 7, 236-248, 2010
12010
Entanglement theory
RJ Allen, K Pearlman, G Hayes
12009
Intensive mode screen production: an Australian case study in designing university learning and teaching to mirror ‘real-world’creative production processes
T Murray, I Barkat, K Pearlman
Media Practice and Education 21 (1), 18-31, 2020
2020
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Articles 1–20