| Cutting rhythms: Shaping the film edit K Pearlman Routledge, 2012 | 287* | 2012 |
| Creative editing: Svilova and Vertov’s distributed cognition K Pearlman, J MacKay, J Sutton Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2018 | 24 | 2018 |
| Performing the UnNameable: An anthology of Australian performance texts RJ Allen, K Pearlman Currency Press in association with RealTime, 1999 | 23 | 1999 |
| Editing and cognition beyond continuity K Pearlman Projections 11 (2), 67-86, 2017 | 22 | 2017 |
| Documentary editing and distributed cognition K Pearlman Cognitive theory and documentary film, 303-319, 2018 | 21 | 2018 |
| Recognising Women’s Work as Creative Work K Pearlman, A Heftberger Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2018 | 18 | 2018 |
| Intensive mode screen production: an Australian case study in designing university learning and teaching to mirror ‘real-world’creative production processes T Murray, I Barkat, K Pearlman, L Robinson Media Practice and Education 21 (1), 18-31, 2020 | 13 | 2020 |
| Reframing the director: distributed creativity in filmmaking practice K Pearlman, J Sutton A Companion to Motion Pictures and Public Value, 86-105, 2022 | 12 | 2022 |
| On rhythm in film editing K Pearlman The Palgrave handbook of the philosophy of film and motion pictures, 143-163, 2019 | 11 | 2019 |
| Edición como coreografía K Pearlman Dança em foco Festival Internacional de Vídeo & Dança, 116-122, 2009 | 11 | 2009 |
| Editing as a Form of Choreography K Pearlman Proceedings ADF (American Dance Festival) Screendance state of the art 1, 52 56, 2006 | 11 | 2006 |
| Cutting rhythms in Chicago and Cabaret K Pearlman Cineaste 34 (2), 28-32, 2009 | 9 | 2009 |
| A Dance of definitions K Pearlman Real Time, 2006 | 7 | 2006 |
| Thursday's fictions RJ Allen, K Pearlman Physical TV Company Pty Limited, 2006 | 6 | 2006 |
| Performing the unNameable R Allen, K Pearlman Sydney: Currency/Real Time, 1999 | 6 | 1999 |
| Shaping edits, creating fractals: A cinematic case study JE Cutting, K Pearlman Projections 13 (1), 1-22, 2019 | 5 | 2019 |
| The rhythm of thinking: speculations on how an editor shapes the rhythms of a film K Pearlman Metro Magazine: Media & Education Magazine, 112-116, 2004 | 4 | 2004 |
| Performing the Unnameable: An Anthology of Australian Performance Texts K Pearlman, RJ Allen Sydney: Currency Press in association with RealTime, 1999 | 4 | 1999 |
| If a dancing figure falls in the forest and nobody sees here... K Pearlman Participations Journal of Audience & Reception Studies 7, 236-248, 2010 | 3 | 2010 |
| Make our myths K Pearlman Lumina: Australian journal of screen arts and business, 31-38, 2009 | 3 | 2009 |
John SuttonLeverhulme International Professor, University of Stirling/ Emeritus, Macquarie UniversityVerified email at stir.ac.uk
