| Musical applications and design techniques for the gametrak tethered spatial position controller A Freed, D McCutchen, A Schmeder, AM Skriver Hansen, D Overholt, ... Sound and Music Computing Conference, 23-25, 2009 | 28 | 2009 |
| Mastering 2.0: The real or perceived threat of DIY mastering and automated mastering systems S Collins, A Renzo, S Keith, A Mesker Popular Music and Society 44 (3), 258-273, 2021 | 8 | 2021 |
| Time warp: sonic retro-futurism in The Jetsons R Coyle, A Mesker Music in Science Fiction Television, 54-89, 2013 | 5 | 2013 |
| Through an Ale Glass, Palely: Mermen, Neptune/Poseidon and Tritons as motifs in beer brands and product labels A Mesker Coolabah, 106-135, 2019 | 4 | 2019 |
| Industry standard? Technocapitalist depictions of music production S Keith, S Collins, A Renzo, A Mesker Creative Industries Journal 15 (3), 317-331, 2022 | 3 | 2022 |
| Transformations and continuities in the mastering sector S Collins, A Renzo, S Keith, A Mesker Mastering in music, 249-263, 2020 | 3 | 2020 |
| Slave to the'Rithm: The AI Turn in the Music Industries S Keith, S Collins, A Renzo, A Mesker AI and the Future of Creative Work, 36-54, 2023 | 1 | 2023 |
| Ghost singers: the singing voice in Korean pop cinema S Keith, A Mesker The singing voice in contemporary cinema, 73-88, 2020 | | 2020 |
| The limited soundtrack: the sound and music of Hanna-Barbera from 1957-1973 A Mesker Macquarie University, 2017 | | 2017 |
| Schrödinger's String A Mesker In the Loop: Feeding the Polyphonic Present, 2015 | | 2015 |
| Time warp: Sonic retro-futurism in The Jetsons R Coyle, A Mesker Music in science fiction television: tuned to the future, 14-33, 2013 | | 2013 |
| OSynC: cross-application performance synchronisation of beat-driven musics A Mesker, S Keith Australasian Computer Music Conference, 1-6, 2012 | | 2012 |
Sarah KeithSenior Lecturer, Media and MusicVerified email at mq.edu.au
