| Contemporary Balkan cinema: Transnational exchanges and global circuits L Papadimitriou, A Grgić Edinburgh University Press, 2020 | 8 | 2020 |
| Archival film festivals as sites of memory A Grgic Film festival yearbook 5, 55-66, 2013 | 8 | 2013 |
| Building a new socialist art: a short history of Albanian cinema A Grgić Studies in Eastern European Cinema 12 (3), 276-292, 2021 | 7 | 2021 |
| Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans A Grgic Amsterdam University Press, 2022 | 4 | 2022 |
| On Making the Work of Women Editors Visible A Heftberger, A Grgic Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2018 | 4 | 2018 |
| Laughter and Tragedy of the Absurd: Identifying Common Characteristics of Balkan Comedies under State Socialism A Grgić Contemporary Southeastern Europe 4 (2), 47-66, 2017 | 4 | 2017 |
| There is no such thing as Balkan cinema, and yes, Balkan cinema exists: Ruminations on the past and possible futures of Balkan cinema (and media) studies? A Grgić NECSUS_European Journal of Media Studies 10 (2), 19-26, 2021 | 3 | 2021 |
| Rediscovering nationalism in the Balkans: the early moving image in contemporary memorial spaces A Grgic Studies in Eastern European Cinema 7 (3), 240-257, 2016 | 2 | 2016 |
| Balkan Film at the 2021 Thessaloniki International Film Festival A Grgic, L Papadimitriou, C Parvulescu Studies in Eastern European Cinema 13 (2), 240-244, 2022 | 1 | 2022 |
| ‘Regions of unthought’–the danger and the freedom of film archiving and (trans) national film heritage in the Balkans A Grgić Studies in Eastern European Cinema 11 (2), 119-139, 2020 | 1 | 2020 |
| Contemporary Balkan Cinema L Papadimitriou, A Grgić Contemporary Balkan Cinema, 2020 | 1 | 2020 |
| Recurrent Themes, Entangled Histories, and Cultural Affinities: Balkan Cinema at the 58th Thessaloniki International Film Festival A Grgic Film Quarterly 71 (3), 81-86, 2018 | 1 | 2018 |
| Deviating memories: Armando Lulaj’s seriously playful excursions into Albania’s history A Grgić Images. The International Journal of European Film, Performing Arts and …, 2018 | 1 | 2018 |
| Yugoslav (Hi) stories: a country which no longer exists, except on film A Grgic, R Iacob | 1 | 2013 |
| Useful Bodies, Socialist Commodification and Everyday Culture: Promoting Albanian and Yugoslav Industrial Production Through Non-Fiction Films A Grgić, F Bego Studies in Eastern European Cinema, 1-20, 2024 | | 2024 |
| Who is Singing over there? The Potpourri of Multiple Voices in Early Sound Cinema of the Balkans A Grgić, M Țuțui The Routledge Companion to Global Film Music in the Early Sound Era, 332-350, 2024 | | 2024 |
| Southeast Asian Shapeshifters in the age of streaming: minor transnationalism, horror and reimagining MUBI in Malaysia A Grgić Continuum, 1-21, 2023 | | 2023 |
| Thessaloniki: The Elusive Nature of (Post) Reality A Grgić, A Lagarias Film Quarterly 76 (1), 79-85, 2022 | | 2022 |
| Introduction to Special Issue: Women’s World Cinema O Khoo, A Grgić, E Jørholt Studies in World Cinema 1 (2), 115-120, 2022 | | 2022 |
| Between the scene and the silver screen: early Romanian cinema and the rediscovery of the ‘lost’woman film pioneer Marioara Voiculescu A Grgić Early Popular Visual Culture 19 (4), 364-391, 2021 | | 2021 |
Adelheid HeftbergerBundesarchiv (German Federal Archive)Verified email at bundesarchiv.de
