| Taking Stock BW Smith, S Ouzman Current Anthropology 45 (4), 499-526, 2004 | 222 | 2004 |
| Empowering places: rock shelters and ritual control in farmer-forager interactions in the Northern Province S Hall, BW Smith Goodwin Series, 30-46, 2000 | 162 | 2000 |
| The first in situ Raman spectroscopic study of San rock art in South Africa: procedures and preliminary results A Tournié, LC Prinsloo, C Paris, P Colomban, BW Smith Journal of Raman Spectroscopy 42 (3), 399-406, 2011 | 133 | 2011 |
| Rock art tourism in the uKhahlamba/Drakensberg World Heritage Site: obstacles to the development of sustainable tourism M Duval, BW Smith Journal of Sustainable Tourism 21 (1), 134-153, 2013 | 102 | 2013 |
| Fingerprints of the Khoekhoen: geometric and handprinted rock art in the Central Limpopo Basin, southern Africa EB Eastwood, BW Smith South African Archaeological Society Goodwin Series 9, 63-76, 2005 | 86 | 2005 |
| Visions of Dynamic Power: Archaic Rock-paintings, Altered States of Consciousness and ‘Clever Men’in Western Arnhem Lane (NT), Australia C Chippindale, BW Smith, PSC Taçon Cambridge Archaeological Journal 10 (01), 63-101, 2000 | 83 | 2000 |
| Zambia's Ancient Rock Art: the paintings of Kasama BW Smith National Heritage Conservation Commission, Livingstone, Zambia, 998234000X, 1997 | 80 | 1997 |
| Archaeology and symbolism in the new South African coat of arms BW Smith, JD Lewis-Williams, G Blundell, C Chippindale Antiquity 74 (285), 467-468, 2000 | 68 | 2000 |
| Dangerous ground: a critique of landscape in rock-art studies BW Smith, G Blundell In: Chippindale, C. & Nash, G. (eds) Figured Landscapes of Rock-Art, 239-262, 2004 | 65 | 2004 |
| Rock art tourism in southern Africa. Problems, possibilities, and poverty relief BW Smith In: Agnew, N. & Bridgland, J. (eds) Of the Past, for the Future: Integrating …, 2006 | 63 | 2006 |
| Rock art in south-central Africa: a study based on the pictographs of Dedza District, Malawi and Kasam District, Zambia. BW Smith Unpublished Ph. D. thesis. Cambridge: University of Cambridge, 1995 | 63 | 1995 |
| The white camel of the Makgabeng BW Smith, JA Van Schalkwyk Journal of African History 43 (2), 235-254, 2002 | 55 | 2002 |
| Insiders and outsiders: Sources for reinterpreting a historical event JA Van Schalkwyk, BW Smith In: Reid, A.M. & Lane, P.J. (eds) African Historical Archaeologies, 325-346, 2004 | 46 | 2004 |
| Seeking sustainable rock art tourism: The example of the maloti-drakensberg park world heritage site M Duval, BW Smith South African Archaeological Bulletin 69 (199), 34, 2014 | 43 | 2014 |
| Envisioning San history: problems in the reading of history in the rock art of the Maloti-Drakensberg Mountains of South Africa BW Smith African Studies 69 (2), 345-359, 2010 | 43 | 2010 |
| Forbidden images: Rock paintings and the Nyau secret society of central Malaŵi and Eastern Zambia BW Smith African Archaeological Review 18, 187-212, 2001 | 41 | 2001 |
| Reading rock art and writing genetic history: regionalism, ethnicity and the rock art of southern Africa BW Smith In: Soodyal, H. (ed.) The Prehistory of Africa, 76-96, 2006 | 37 | 2006 |
| “I have visited the Chauvet Cave”: the heritage experience of a rock art replica M Duval, B Smith, C Gauchon, L Mayer, C Malgat International Journal of Heritage Studies 26 (2), 142-162, 2020 | 36 | 2020 |
| Towards a holistic approach to heritage values: a multidisciplinary and cosmopolitan approach M Duval, BW Smith, S Hœrlé, L Bovet, N Khumalo, L Bhengu International Journal of Heritage Studies, 2019 | 33 | 2019 |
| The tale of the chameleon and the platypus: limited and likely choices in making pictures BW Smith In: Chippindale, C. & Taçon, P. (eds) The Archaeology of Rock-Art, 212-228, 1998 | 33 | 1998 |
Geoffrey BlundellPrincipal Curator of Humanities: KwaZulu-Natal MuseumVerified email at nmsa.org.za
