Kirk N. Olsen

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William Forde ThompsonMacquarie University, Department of PsychologyVerified email at mq.edu.au
Catherine J (Kate) StevensMARCS Institute for Brain, Behaviour & Development, Western Sydney UniversityVerified email at westernsydney.edu.au
Roger T. DeanProfessor of Sonic Communication, Western Sydney University; Artistic Director, austraLYSISVerified email at westernsydney.edu.au
Steffen A. HerffDECRA Research FellowVerified email at westernsydney.edu.au
Aydin AnicPhD Candidate, Macquarie UniversityVerified email at students.mq.edu.au
E James KehoeProfessor of Psychology, University of New South WalesVerified email at unsw.edu.au
Andrew GeevesVerified email at mq.edu.au
Jon PrinceMurdoch UniversityVerified email at murdoch.edu.au
Merrick PowellPhD Candidate, Macquarie UniversityVerified email at mq.edu.au
Yvonne LeungUniversity of New South WalesVerified email at unsw.edu.au
Phoebe E. BaileyUniversity of Technology SydneyVerified email at uts.edu.au
Timothy C. BednallSwinburne University of TechnologyVerified email at swin.edu.au
Julie HenryProfessor and ARC Future FellowVerified email at uq.edu.au
Varghese PeterSchool of Health and Behavioural Sciences, University of the Sunshine CoastVerified email at usc.edu.au
Elliot A. LudvigProfessor, Psychology, University of WarwickVerified email at warwick.ac.uk
Richard S. SuttonDeepMind, Amii, and University of AlbertaVerified email at richsutton.com
Robert J. Vallerand, Ph.D.Chair in Motivational Processes, Dept of Psychology, Université du Québec à MontréalVerified email at uqam.ca
Nora K. SchaalVerified email at hhu.de
Aimy SladeVerified email at hdr.mq.edu.au
Guillaume GibertLecturer, ECAMVerified email at ecam.fr

Kirk N. Olsen

Postdoctoral Researcher, Macquarie University

Verified email at mq.edu.au - Homepage

Auditory Psychophysics Loudness Music Perception Spatial Hearing Violence in Music


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Who enjoys listening to violent music and why? WF Thompson, AM Geeves, KN Olsen Psychology of Popular Media Culture 8 (3), 218-232, 2019	60*	2019
Loudness change in response to dynamic acoustic intensity KN Olsen, CJ Stevens, J Tardieu Journal of Experimental Psychology: Human Perception and Performance 36 (6 …, 2010	41	2010
Psychophysiological response to acoustic intensity change in a musical chord KN Olsen, CJ Stevens Journal of Psychophysiology 27 (1), 16-26, 2013	29	2013
Perceptual overestimation of rising intensity: Is stimulus continuity necessary? KN Olsen, CJ Stevens Perception 39 (5), 695, 2010	29	2010
Listener expertise enhances intelligibility of vocalisations in Death Metal music KN Olsen, WF Thompson, I Giblin Music Perception 35 (5), 527-539, 2018	26	2018
A ‘looming bias’ in spatial hearing? Effects of acoustic intensity and spectrum on categorical sound source localisation L McCarthy, KN Olsen Attention, Perception, & Psychophysics 79 (1), 352–362, 2017	26	2017
Training adult novices to use computers: Effects of different types of illustrations EJ Kehoe, TC Bednall, L Yin, KN Olsen, C Pitts, JD Henry, PE Bailey Computers in Human Behavior 25 (2), 275-283, 2009	23	2009
Memory for melodies in unfamiliar tuning systems: Investigating effects of recency and number of intervening items SA Herff, KN Olsen, RT Dean, JB Prince The Quarterly Journal of Experimental Psychology 71 (6), 1367-1381, 2018	19	2018
Resilient memory for melodies: The number of intervening melodies does not influence novel melody recognition SA Herff, KN Olsen, RT Dean The Quarterly Journal of Experimental Psychology 71 (5), 1150–1171, 2018	19	2018
A continuous measure of musical engagement contributes to prediction of perceived arousal and valence KN Olsen, RT Dean, CJ Stevens Psychomusicology: Music, Mind, and Brain 24 (2), 147-156, 2014	19	2014
What constitutes a phrase in sound-based music? A mixed methods investigation of perception and acoustics KN Olsen, RT Dean, Y Leung PLoS ONE 11 (12), e0167643, 2016	17	2016
On the enjoyment of violence and aggression in music WF Thompson, KN Olsen Physics of Life Reviews 25, 128-130, 2018	15	2018
Both acoustic intensity and loudness contribute to time-series models of perceived affect in response to music KN Olsen, RT Dean, CJ Stevens, F Bailes Psychomusicology: Music, Mind, and Brain 25 (2), 124-137, 2015	13	2015
Intensity dynamics and loudness change: A review of methods and perceptual processes KN Olsen Acoustics Australia 42 (3), 159-165, 2014	13	2014
The effect of intensity on relative pitch WF Thompson, V Peter, KN Olsen, CJ Stevens The Quarterly Journal of Experimental Psychology 65 (10), 2054-2072, 2012	13	2012
Interference in memory for pitch-only and rhythm-only sequences SA Herff, KN Olsen, J Prince, RT Dean Musicae Scientiae 22 (3), 344-361, 2018	12	2018
Scalar timing varies with response magnitude in classical conditioning of the nictitating membrane response of the rabbit (Oryctolagus cuniculus) EJ Kehoe, KN Olsen, EA Ludvig, RS Sutton Behavioral Neuroscience 123 (1), 212, 2009	12	2009
Fans of violent music: The role of passion in positive and negative emotional experience KN Olsen, M Powell, A Anic, RJ Vallerand, WF Thompson Musicae Scientiae 26 (2), 364-387, 2022	10	2022
Does perceived exertion influence perceived affect in response to music? Investigating the 'FEELA' hypothesis. KN Olsen, RT Dean Psychomusicology: Music, Mind, and Brain. 26 (3), 257-269, 2016	10	2016
Investigating cumulative disruptive interference in memory for melodies, words, and pictures SA Herff, KN Olsen, A Anic, NK Schaal New Ideas in Psychology 55, 68-77, 2019	8	2019

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