| Loudness change in response to dynamic acoustic intensity KN Olsen, CJ Stevens, J Tardieu Journal of Experimental Psychology: Human Perception and Performance 36 (6 …, 2010 | 34 | 2010 |
| Perceptual overestimation of rising intensity: Is stimulus continuity necessary? KN Olsen, CJ Stevens Perception 39 (5), 695, 2010 | 30 | 2010 |
| Psychophysiological response to acoustic intensity change in a musical chord KN Olsen, CJ Stevens Journal of Psychophysiology 27 (1), 16-26, 2013 | 25 | 2013 |
| Who enjoys listening to violent music and why? WF Thompson, AM Geeves, KN Olsen Psychology of Popular Media Culture 8 (3), 218-232, 2019 | 24 | 2019 |
| Training adult novices to use computers: Effects of different types of illustrations EJ Kehoe, TC Bednall, L Yin, KN Olsen, C Pitts, JD Henry, PE Bailey Computers in Human Behavior 25 (2), 275-283, 2009 | 21 | 2009 |
| A ‘looming bias’ in spatial hearing? Effects of acoustic intensity and spectrum on categorical sound source localisation L McCarthy, KN Olsen Attention, Perception, & Psychophysics 79 (1), 352–362, 2017 | 20 | 2017 |
| Listener expertise enhances intelligibility of vocalisations in Death Metal music KN Olsen, WF Thompson, I Giblin Music Perception 35 (5), 527-539, 2018 | 14 | 2018 |
| A continuous measure of musical engagement contributes to prediction of perceived arousal and valence KN Olsen, RT Dean, CJ Stevens Psychomusicology: Music, Mind, and Brain 24 (2), 147-156, 2014 | 14 | 2014 |
| Memory for melodies in unfamiliar tuning systems: Investigating effects of recency and number of intervening items SA Herff, KN Olsen, RT Dean, JB Prince The Quarterly Journal of Experimental Psychology 71 (6), 1367-1381, 2018 | 13 | 2018 |
| Intensity dynamics and loudness change: A review of methods and perceptual processes KN Olsen Acoustics Australia 42 (3), 159-165, 2014 | 12 | 2014 |
| Resilient memory for melodies: The number of intervening melodies does not influence novel melody recognition SA Herff, KN Olsen, RT Dean The Quarterly Journal of Experimental Psychology 71 (5), 1150–1171, 2018 | 11 | 2018 |
| The effect of intensity on relative pitch WF Thompson, V Peter, KN Olsen, CJ Stevens The Quarterly Journal of Experimental Psychology 65 (10), 2054-2072, 2012 | 11 | 2012 |
| Scalar timing varies with response magnitude in classical conditioning of the nictitating membrane response of the rabbit (Oryctolagus cuniculus) EJ Kehoe, KN Olsen, EA Ludvig, RS Sutton Behavioral Neuroscience 123 (1), 212, 2009 | 11 | 2009 |
| Both acoustic intensity and loudness contribute to time-series models of perceived affect in response to music KN Olsen, RT Dean, CJ Stevens, F Bailes Psychomusicology: Music, Mind, and Brain 25 (2), 124-137, 2015 | 10 | 2015 |
| Interference in memory for pitch-only and rhythm-only sequences SA Herff, KN Olsen, J Prince, RT Dean Musicae Scientiae 22 (3), 344-361, 2018 | 9 | 2018 |
| What constitutes a phrase in sound-based music? A mixed methods investigation of perception and acoustics KN Olsen, RT Dean, Y Leung PLoS ONE 11 (12), e0167643, 2016 | 9 | 2016 |
| On the enjoyment of violence and aggression in music WF Thompson, KN Olsen Physics of Life Reviews 25, 128-130, 2018 | 7 | 2018 |
| Does perceived exertion influence perceived affect in response to music? Investigating the 'FEELA' hypothesis. KN Olsen, RT Dean Psychomusicology: Music, Mind, and Brain. 26 (3), 257-269, 2016 | 6 | 2016 |
| Is there a ‘rise-fall temporal archetype’ of intensity in the music of Joseph Haydn? The role of the performer RT Dean, KN Olsen, F Bailes Music Performance Research 6, 39-67, 2013 | 5 | 2013 |
| Forward masking of dynamic acoustic intensity: Effects of intensity region and end-level KN Olsen, CJ Stevens Perception 41 (5), 594-605, 2012 | 5 | 2012 |
Catherine J (Kate) StevensMARCS Institute for Brain, Behaviour & Development, Western Sydney UniversityVerified email at westernsydney.edu.au
