| Conceptualising Augmented Reality: From virtual divides to mediated dynamics L Heemsbergen, G Bowtell, J Vincent Convergence 27 (3), 830-846, 2021 | 17 | 2021 |
| The emerging televisual: technology futures and screens for all things T Cinque, J Beth Vincent Studies in Australasian Cinema 12 (1), 42-55, 2018 | 12 | 2018 |
| The status of women in the Canadian arts and cultural industries A Coles, K MacNeill, JB Vincent, C Vincent, P Barré Research review 2018, 2010 | 11 | 2010 |
| Emergent behaviour: learning from an artificially intelligent performing software agent J McCormick, S Hutchinson, K Vincs, J Vincent Deakin University, 2015 | 10 | 2015 |
| Navigating control and illusion: functional interactivity versus ‘faux-interactivity’in transmedia dance performance JB Vincent, C Vincent, K Vincs, J McCormick International Journal of Performance Arts and Digital Media 12 (1), 44-60, 2016 | 9 | 2016 |
| Haptically-enabled dance visualisation framework for deafblind-folded audience and artists M Hossny, S Nahavandi, M Fielding, J Mullins, S Mohamed, D Creighton, ... 2015 IEEE International Conference on Systems, Man, and Cybernetics, 446-450, 2015 | 8 | 2015 |
| Promoting gender equality through the arts and creative industries: a review of case studies and evidence K MacNeill, A Coles, JB Vincent, A Kokkinos, M Robertson VicHealth, 2018 | 7 | 2018 |
| The intersection of live and digital: new technical classifications for digital scenography in opera C Vincent, JB Vincent, K Vincs, K Johanson Theatre and Performance Design 3 (3), 155-171, 2017 | 7 | 2017 |
| FAO A Vincent, F Grande, E Compaoré, G Amponsah Annor, PA Addy, ... INFOODS Food Composition Table for Western Africa (2019) User Guide …, 2020 | 6 | 2020 |
| Artworks-spawning-artworks: trans-disciplinary approaches to artistic spin-offs and evolution in the dance and digital context JB Vincent, C Vincent, K Vincs, S Delahunta, J McCormick Digital Echoes: Spaces for Intangible and Performance-based Cultural …, 2018 | 6 | 2018 |
| Skin to skin: performing augmented reality K Vincs, A Bennett, J McCormick, JB Vincent, S Hutchison Augmented reality art: From an emerging technology to a novel creative …, 2014 | 6 | 2014 |
| In Pursuit of a Dancing'body': Modernity, Physicality and Identity in Australia, 1919 to 1939 JB Vincent University of Melbourne, Department of Culture and Communication, 2009 | 5 | 2009 |
| Physical digitality: Making reality visible through multimodal digital affordances for human perception L Heemsbergen, G Bowtell, JB Vincent Materializing digital futures: Touch, movement, sound and vision, 187, 2022 | 4 | 2022 |
| The status of women in the Canadian arts and cultural industries: research review 2010-2018 A Coles, K MacNeill, J Vincent, C Vincent, P Barre Deakin University, 2018 | 4 | 2018 |
| Exploring creative thought in choreography together: process documentation with the Australian dance theatre S Delahunta, JB Vincent, E Old, G Stewart, J Leach, C Stevens Performing process: Sharing dance and choreographic practice, 369-414, 2018 | 4 | 2018 |
| Opera-ting on inequality: gender representation in creative roles at The Royal Opera C Vincent, A Coles, JB Vincent Cultural Trends 31 (3), 205-221, 2022 | 3 | 2022 |
| Materializing digital futures: Touch, movement, sound and vision T Cinque, JB Vincent Bloomsbury Publishing USA, 2022 | 3 | 2022 |
| Forging an Identity: Transformation and Synthesis in Twentieth Century Australian Dance JB Vincent, L Christofis Shaping the Landscape, 13-33, 2020 | 3 | 2020 |
| Notation by context: Digital scenography as artifact of authorial intent C Vincent, JB Vincent Leonardo Music Journal 28, 72-76, 2018 | 3 | 2018 |
| Splitting Centre: Directing attention in trans-media dance performance J Vincent, K Vincs, J Mccormick Deakin University, 2015 | 3 | 2015 |
Kim VincsSwinburne University of TechnologyVerified email at swin.edu.au
