| Teatri di Verzura: Hedge Theatres in Baroque Lucca K Grant Art, site and spectacle: studies in early modern visual culture, 162-175, 2007 | 4* | 2007 |
| Alchemy and archives, swords, spells, and castles: Medieval-modding Skyrim E Champion, T Nurmikko-Fuller, K Grant Teaching the Middle Ages through Modern Games: Using, Modding and Creating …, 2022 | 3 | 2022 |
| Planting Italian Gusto in a “Gothick Country”: The Influence of Filippo Juvarra on William Kent K Grant Roma Britannica, 225-39, 2011 | 2 | 2011 |
| Mitigating Bias in GLAM Search Engines: A Simple Rating-Based Approach and Reflection X Tian, BP Nunes, K Grant, MA Casanova Proceedings of the 34th ACM Conference on Hypertext and Social Media, 1-5, 2023 | 1 | 2023 |
| Performances of Power-the site of public debate K Grant Rethinking Social Media and Extremism, 143-158, 2022 | 1 | 2022 |
| Landscape and the Arts in Early Modern Italy: Theatre, Gardens and Visual Culture K Grant Amsterdam University Press, 2022 | 1 | 2022 |
| Digital Cartographies of the Roman Campagna L Beaven, K Grant, M Whitelaw The Routledge Research Companion to Digital Medieval Literature, 212-226, 2017 | 1 | 2017 |
| Collaboration, flexibility, skill-sharing: The future of museum and cultural heritage work in the age of digital transformation in Australia K Grant, S Minney Humanities Research 20 (1), 183-200, 2024 | | 2024 |
| International Museum Day was great but… do you know what’s hidden away at ANU? K Grant | | 2024 |
| Collections in Conversation: Timber Detective Agency K Grant, C Sheridan | | 2023 |
| The Princely Landscape as Stage: Early Modern Courts in Enchanted Gardens K Grant Landscape and Authority in the Early Modern World, 279-310, 2023 | | 2023 |
| Nature as a Stage for Love in Early Modern Italy K Grant RSA Virtual 2022, 2022 | | 2022 |
| Landscape and the Arts in Early Modern Italy K Grant Landscape and the Arts in Early Modern Italy, 2022 | | 2022 |
| The net good of the net S Leitch, K Grant, P Pickering, M Kenny | | 2022 |
| Students as Collaborators: a digital humanities and GLAM sector collaboration to produce new web-based content through student led projects K Grant, T Nurmikko-Fuller MuseWeb 2021, 2021 | | 2021 |
| Students as innovators: a digital humanities and GLAM sector collaboration to produce new web-based content through student led projects K Grant, T Nurmikko-Fuller Museums and the Web, 2021 | | 2021 |
| The Bosco Parrasio as a site of pleasure and of sadness K Grant Histoire culturelle de l\'Europe, 2019 | | 2019 |
| Skullbook: digital bone library K Grant, SC Samper Carro, C Frieman, T Nurmikko-Fuller Canberra, ACT: Australian National University. School of Archaeology and …, 2018 | | 2018 |
| “To Make Them Gaze in Wonder”: Emotional Responses to Stage Scenery in Seventeenth-Century opera K Grant Emotion and the Seduction of the Senses, Baroque to Neo-Baroque, 2018 | | 2018 |
| Vombatus ursinus-Wombat Skull S Samper Carro, K Grant, T Nurmikko-Fuller, C Frieman, R Dixson Australian National University, 2018 | | 2018 |
Terhi Nurmikko-FullerAustralian National UniversityVerified email at anu.edu.au
