William Forde Thompson - Google Scholar Citations

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Citations	7360	3829
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Frank A. RussoProfessor of Psychology, Ryerson UniversityVerified email at ryerson.ca
E Glenn SchellenbergProfessor of Psychology, University of Toronto MississaugaVerified email at utoronto.ca
Lola CuddyProfessor, Queen's UniversityVerified email at queensu.ca
Lena QuintoVerified email at mq.edu.au
Steven R. LivingstoneUniversity of OtagoVerified email at otago.ac.nz
Xuejing LuInstitute of Psychology, Chinese Academy of SciencesVerified email at psych.ac.cn
Lauren StewartProfessor in Psychology, Goldsmiths University of LondonVerified email at gold.ac.uk
Amee BairdMacquarie UniversityVerified email at mq.edu.au
Paolo AmmiranteRyerson UniversityVerified email at ryerson.ca
Varghese PeterSchool of Social Sciences and Psychology, Western Sydney UniversityVerified email at westernsydney.edu.au
Genevieve McArthurDepartment of Cognitive Science, Macquarie UniversityVerified email at mq.edu.au
Kirk N. OlsenPostdoctoral Researcher, Macquarie UniversityVerified email at mq.edu.au
Deborah RichardsProfessor, Department of Computing, Macquarie UniversityVerified email at mq.edu.au
Eric FassbenderResearch Fellow New MediaVerified email at cdu.edu.au
Jon PrinceMurdoch UniversityVerified email at murdoch.edu.au
Mark A. SchmucklerUniversity of Toronto ScarboroughVerified email at utsc.utoronto.ca
Manuela M. MarinUniversity of Vienna and University of Innsbruck, AustriaVerified email at uibk.ac.at
Lincoln CollingUniversity of SussexVerified email at sussex.ac.uk
A/Prof. Ayse Aysin BilginMacquarie UniversityVerified email at mq.edu.au
Fang LiuAssociate Professor, University of ReadingVerified email at uchicago.edu

William Forde Thompson

Macquarie University, Department of Psychology

Verified email at mq.edu.au - Homepage

music cognition emotion facial expressions language


Title	Cited by	Year
A cross-cultural investigation of the perception of emotion in music: Psychophysical and cultural cues LL Balkwill, WF Thompson Music perception: an interdisciplinary journal 17 (1), 43-64, 1999	744	1999
Arousal, mood, and the Mozart effect WF Thompson, EG Schellenberg, G Husain Psychological science 12 (3), 248-251, 2001	700	2001
Effects of musical tempo and mode on arousal, mood, and spatial abilities G Husain, WF Thompson, EG Schellenberg Music Perception: An Interdisciplinary Journal 20 (2), 151-171, 2002	596	2002
Decoding speech prosody: Do music lessons help? WF Thompson, EG Schellenberg, G Husain Emotion 4 (1), 46, 2004	332	2004
Music, Thought, and Feeling: Understanding the Psychology of Music WF Thompson Oxford University press, 2014	274	2014
A comparison of acoustic cues in music and speech for three dimensions of affect G Ilie, WF Thompson Music Perception: An Interdisciplinary Journal 23 (4), 319-330, 2006	262	2006
Seeing music performance: Visual inﬂuences on perception and experience WF Thompson, P Graham, FA Russo Semiotica 2005 (156), 203-227, 2005	252	2005
Who enjoys listening to sad music and why? JK VuosKosKi, WF Thompson, D McIlwain, T Eerola Music Perception 29 (3), 311-317, 2012	240	2012
Recognition of emotion in Japanese, Western, and Hindustani music by Japanese listeners¹ LL Balkwill, WF Thompson, RIE Matsunaga Japanese Psychological Research 46 (4), 337-349, 2004	231	2004
Deficits in facial emotion perception in adults with recent traumatic brain injury REA Green, GR Turner, WF Thompson Neuropsychologia 42 (2), 133-141, 2004	177	2004
Decoding speech prosody in five languages WF Thompson, LL Balkwill Semiotica 2006 (158), 407-424, 2006	154	2006
Can composers express emotions through music? WF Thompson, B Robitaille Empirical studies of the arts 10 (1), 79-89, 1992	150	1992
Reduced sensitivity to emotional prosody in congenital amusia rekindles the musical protolanguage hypothesis WF Thompson, MM Marin, L Stewart Proceedings of the National Academy of Sciences 109 (46), 19027-19032, 2012	109	2012
Fast and loud background music disrupts reading comprehension WF Thompson, EG Schellenberg, AK Letnic Psychology of Music 40 (6), 700-708, 2012	107	2012
Assessing music performance: Issues and influences GE McPherson, WF Thompson Research Studies in Music Education 10 (1), 12-24, 1998	104	1998
The emergence of music from the Theory of Mind SR Livingstone, WF Thompson Musicae Scientiae 13 (2_suppl), 83-115, 2009	102	2009
Audio-visual integration of emotional cues in song WF Thompson, FA Russo, L Quinto Cognition and Emotion 22 (8), 1457-1470, 2008	97	2008
Cross-cultural similarities and differences LLB WF Thompson Handbook of Music and Emotion: Theory, Research, Applications, Chapter 27 …, 2010	83	2010
An interval size illusion: The influence of timbre on the perceived size of melodic intervals FA Russo, WF Thompson Perception & psychophysics 67 (4), 559-568, 2005	76	2005
Expectancies generated by melodic intervals: Evaluation of principles of melodic implication in a melody-completion task WF Thompson, LL Cuddy, C Plaus Perception & Psychophysics 59 (7), 1069-1076, 1997	72	1997

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