William Forde Thompson - Google Scholar Citations

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Frank A. RussoProfessor of Psychology, Ryerson UniversityVerified email at ryerson.ca
E Glenn SchellenbergProfessor of Psychology, University of Toronto MississaugaVerified email at utoronto.ca
Lola CuddyProfessor, Queen's UniversityVerified email at queensu.ca
Lena QuintoVerified email at mq.edu.au
Steven R. LivingstoneUniversity of OtagoVerified email at otago.ac.nz
Xuejing LuInstitute of Psychology, Chinese Academy of SciencesVerified email at psych.ac.cn
Amee BairdMacquarie UniversityVerified email at mq.edu.au
Lauren StewartProfessor in Psychology, Goldsmiths University of LondonVerified email at gold.ac.uk
Paolo AmmiranteRyerson UniversityVerified email at ryerson.ca
Varghese PeterSchool of Social Sciences and Psychology, Western Sydney UniversityVerified email at westernsydney.edu.au
Kirk N. OlsenPostdoctoral Researcher, Macquarie UniversityVerified email at mq.edu.au
Genevieve McArthurDepartment of Cognitive Science, Macquarie UniversityVerified email at mq.edu.au
Deborah RichardsProfessor, Department of Computing, Macquarie UniversityVerified email at mq.edu.au
Eric FassbenderResearch Fellow New MediaVerified email at cdu.edu.au
Jon PrinceMurdoch UniversityVerified email at murdoch.edu.au
Mark A. SchmucklerUniversity of Toronto ScarboroughVerified email at utsc.utoronto.ca
Manuela M. MarinUniversity of Vienna and University of Innsbruck, AustriaVerified email at uibk.ac.at
Lincoln CollingUniversity of SussexVerified email at sussex.ac.uk
A/Prof. Ayse Aysin BilginMacquarie UniversityVerified email at mq.edu.au
Fang LiuAssociate Professor, University of ReadingVerified email at uchicago.edu

William Forde Thompson

Macquarie University, Department of Psychology

Verified email at mq.edu.au - Homepage

music cognition emotion facial expressions language


Title	Cited by	Year
A cross-cultural investigation of the perception of emotion in music: Psychophysical and cultural cues LL Balkwill, WF Thompson Music perception: an interdisciplinary journal 17 (1), 43-64, 1999	777	1999
Arousal, mood, and the Mozart effect WF Thompson, EG Schellenberg, G Husain Psychological science 12 (3), 248-251, 2001	729	2001
Effects of musical tempo and mode on arousal, mood, and spatial abilities G Husain, WF Thompson, EG Schellenberg Music Perception: An Interdisciplinary Journal 20 (2), 151-171, 2002	617	2002
Decoding speech prosody: Do music lessons help? WF Thompson, EG Schellenberg, G Husain Emotion 4 (1), 46, 2004	350	2004
Music, Thought, and Feeling: Understanding the Psychology of Music WF Thompson Oxford University press, 2014	292	2014
A comparison of acoustic cues in music and speech for three dimensions of affect G Ilie, WF Thompson Music Perception: An Interdisciplinary Journal 23 (4), 319-330, 2006	276	2006
Seeing music performance: Visual inﬂuences on perception and experience WF Thompson, P Graham, FA Russo Semiotica 2005 (156), 203-227, 2005	266	2005
Who enjoys listening to sad music and why? JK VuosKosKi, WF Thompson, D McIlwain, T Eerola Music Perception 29 (3), 311-317, 2012	250	2012
Recognition of emotion in Japanese, Western, and Hindustani music by Japanese listeners¹ LL Balkwill, WF Thompson, RIE Matsunaga Japanese Psychological Research 46 (4), 337-349, 2004	241	2004
Deficits in facial emotion perception in adults with recent traumatic brain injury REA Green, GR Turner, WF Thompson Neuropsychologia 42 (2), 133-141, 2004	182	2004
Decoding speech prosody in five languages WF Thompson, LL Balkwill Semiotica 2006 (158), 407-424, 2006	158	2006
Can composers express emotions through music? WF Thompson, B Robitaille Empirical studies of the arts 10 (1), 79-89, 1992	154	1992
Fast and loud background music disrupts reading comprehension WF Thompson, EG Schellenberg, AK Letnic Psychology of Music 40 (6), 700-708, 2012	122	2012
Reduced sensitivity to emotional prosody in congenital amusia rekindles the musical protolanguage hypothesis WF Thompson, MM Marin, L Stewart Proceedings of the National Academy of Sciences 109 (46), 19027-19032, 2012	114	2012
Assessing music performance: Issues and influences GE McPherson, WF Thompson Research Studies in Music Education 10 (1), 12-24, 1998	113	1998
The emergence of music from the Theory of Mind SR Livingstone, WF Thompson Musicae Scientiae 13 (2_suppl), 83-115, 2009	105	2009
Audio-visual integration of emotional cues in song WF Thompson, FA Russo, L Quinto Cognition and Emotion 22 (8), 1457-1470, 2008	100	2008
Cross-cultural similarities and differences LLB WF Thompson Handbook of Music and Emotion: Theory, Research, Applications, Chapter 27 …, 2010	86	2010
An interval size illusion: The influence of timbre on the perceived size of melodic intervals FA Russo, WF Thompson Perception & psychophysics 67 (4), 559-568, 2005	82	2005
Pitch and time, tonality and meter: How do musical dimensions combine? JB Prince, WF Thompson, MA Schmuckler Journal of Experimental Psychology: Human Perception and Performance 35 (5 …, 2009	79	2009

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