William Forde Thompson

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Frank RussoProfessor of Psychology, Ryerson UniversityVerified email at ryerson.ca
E Glenn SchellenbergProfessor of Psychology, University of Toronto MississaugaVerified email at utoronto.ca
Lena QuintoVerified email at mq.edu.au
Steven R. LivingstoneUniversity of OtagoVerified email at otago.ac.nz
Amee BairdMacquarie UniversityVerified email at mq.edu.au
Kirk N. OlsenPostdoctoral Researcher, Macquarie UniversityVerified email at mq.edu.au
Xuejing LuInstitute of Psychology, Chinese Academy of SciencesVerified email at psych.ac.cn
Lauren StewartProfessor in Psychology, Goldsmiths University of LondonVerified email at gold.ac.uk
Paolo AmmiranteRyerson UniversityVerified email at ryerson.ca
Genevieve McArthurDepartment of Cognitive Science, Macquarie UniversityVerified email at mq.edu.au
Varghese PeterSchool of Health and Behavioural Sciences, University of the Sunshine CoastVerified email at usc.edu.au
Deborah RichardsProfessor, Department of Computing, Macquarie UniversityVerified email at mq.edu.au
Eric FassbenderResearch Fellow New MediaVerified email at atmosphaeres.com
Fang LiuAssociate Professor, School of Psychology & Clinical Language Sciences, University of ReadingVerified email at uchicago.edu
Jon PrinceMurdoch UniversityVerified email at murdoch.edu.au
Mark A. SchmucklerUniversity of Toronto ScarboroughVerified email at utsc.utoronto.ca
Manuela M. MarinUniversity of Vienna and University of Innsbruck, AustriaVerified email at uibk.ac.at
Weiyi MaAssistant Professor, School of Human Environmental Sciences, University of ArkansasVerified email at uark.edu
A/Prof. Ayse Aysin BilginMacquarie UniversityVerified email at mq.edu.au
Lincoln CollingUniversity of SussexVerified email at sussex.ac.uk

William Forde Thompson

Macquarie University, Department of Psychology

Verified email at mq.edu.au - Homepage

music cognition emotion facial expressions language


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A cross-cultural investigation of the perception of emotion in music: Psychophysical and cultural cues LL Balkwill, WF Thompson Music perception 17 (1), 43-64, 1999	912	1999
Arousal, mood, and the Mozart effect WF Thompson, EG Schellenberg, G Husain Psychological science 12 (3), 248-251, 2001	905	2001
Effects of musical tempo and mode on arousal, mood, and spatial abilities G Husain, WF Thompson, EG Schellenberg Music perception 20 (2), 151-171, 2002	764	2002
Decoding speech prosody: Do music lessons help? WF Thompson, EG Schellenberg, G Husain Emotion 4 (1), 46, 2004	415	2004
Music, Thought, and Feeling: Understanding the Psychology of Music WF Thompson Oxford University press, 2014	350	2014
A comparison of acoustic cues in music and speech for three dimensions of affect G Ilie, WF Thompson Music Perception 23 (4), 319-330, 2006	349	2006
Who enjoys listening to sad music and why? JK VuosKosKi, WF Thompson, D McIlwain, T Eerola Music Perception 29 (3), 311-317, 2012	342	2012
Seeing music performance: Visual inﬂuences on perception and experience WF Thompson, P Graham, FA Russo Walter de Gruyter 2005 (156), 203-227, 2005	319	2005
Recognition of emotion in Japanese, Western, and Hindustani music by Japanese listeners¹ LL Balkwill, WF Thompson, RIE Matsunaga Japanese Psychological Research 46 (4), 337-349, 2004	280	2004
Deficits in facial emotion perception in adults with recent traumatic brain injury REA Green, GR Turner, WF Thompson Neuropsychologia 42 (2), 133-141, 2004	211	2004
Decoding speech prosody in five languages WF Thompson, LL Balkwill Walter de Gruyter 2006 (158), 407-424, 2006	193	2006
Can composers express emotions through music? WF Thompson, B Robitaille Empirical studies of the arts 10 (1), 79-89, 1992	175	1992
Fast and loud background music disrupts reading comprehension WF Thompson, EG Schellenberg, AK Letnic Psychology of Music 40 (6), 700-708, 2012	173	2012
Assessing music performance: Issues and influences GE McPherson, WF Thompson Research Studies in Music Education 10 (1), 12-24, 1998	142	1998
Reduced sensitivity to emotional prosody in congenital amusia rekindles the musical protolanguage hypothesis WF Thompson, MM Marin, L Stewart Proceedings of the National Academy of Sciences 109 (46), 19027-19032, 2012	138	2012
The emergence of music from the Theory of Mind SR Livingstone, WF Thompson Musicae Scientiae 13 (2_suppl), 83-115, 2009	134	2009
Audio-visual integration of emotional cues in song WF Thompson, FA Russo, L Quinto Cognition and Emotion 22 (8), 1457-1470, 2008	122	2008
Cross-cultural similarities and differences LLB WF Thompson Handbook of Music and Emotion: Theory, Research, Applications, Chapter 27 …, 2010	110	2010
Changing musical emotion: A computational rule system for modifying score and performance SR Livingstone, R Muhlberger, AR Brown, WF Thompson Computer Music Journal 34 (1), 41-64, 2010	92	2010
Facing the music WF Thompson, FA Russo PSYCHOLOGICAL SCIENCE-CAMBRIDGE- 18 (9), 756, 2007	92	2007

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