Follow
Brent Keogh
Title
Cited by
Cited by
Year
On the limitations of music ecology
B Keogh
Journal of Music Research Online 4, 2013
502013
“A Place for Everything, and Everything in its Place”—The (Ab) uses of Music Ecology
B Keogh, I Collinson
MUSICultures 43 (1), 2016
212016
Sonic branding and the aesthetic infrastructure of everyday consumption
S Khamis, B Keogh
Popular Music 40 (2), 281-296, 2021
102021
'A tale of five festivals': Exploring the cultural intermediary function of Australian jazz festivals
B Keogh
Jazz Research Journal 8 (1/2), 182, 2014
72014
The Wizard of Oud-A Case Study of Sydney Based Oud Player Joseph Tawadros
B Keogh
Journal of Music Research Online 6, 2015
32015
An interview with Damian Wright: Flamenco and the discourse of world music in contemporary Australia
B Keogh
Perfect Beat, 2016
22016
Between theory, representation and practice of maqām: rethinking the representation of the Arabic maqāmāt
B Keogh
Analytical approaches to world music 3 (2), 1-16, 2014
22014
“The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality
B Keogh, I Collinson
Journal of World Popular Music 7 (1), 51-68, 2020
12020
Sounds Like Australia? Listening to Australia’s Eurovision Song Performances
B Keogh, S Brunt, L Giuffre
Eurovision and Australia, 101-121, 2019
12019
Popular Music and the Religious Screen
M EVANS, B KEOGH
The Bloomsbury Handbook of Religion and Popular Music, 338, 2017
12017
Analyzing World Music Discourse in Australia
BG Keogh
Macquarie University, Faculty of Arts, Department of Media, Music …, 2014
12014
Some Preliminary Thoughts on Patterns of Programming in Australia’s World Music and Folk Festivals
A Alter, B Keogh
Proceedings of the 2012 ANZ-IASPM Conference, ed. Oli Wilson and Sarah …, 2013
12013
From Here, There and Everywhere: Recording Popular Music in the “Field”
B Keogh
Journal of World Popular Music 7 (1), 31-50, 2020
2020
Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock.
B Keogh
Perfect Beat 20 (1), 101–104-101–104, 2019
2019
Star-spangled Shamisen: In search of the Jimi Hendrix of the…[insert instrument here]
B Keogh
Perfect Beat 19 (1), 68-85, 2018
2018
Some Preliminary Thoughts on Patterns of Programming in Australia’s World Music and Folk Festivals
BG Keogh
Selected papers from the 2012 Australia/New Zealand IASPM Conference, 2013
2013
The CALD front: A summary report of arts funding for diverse musical disciplines in Australia
B Keogh
Shifting Sounds: Musical Flow: A Collection of Papers from the 2012 IASPM …, 2013
2013
The oud, the bad and the ugly: Transmitting'roots' in the discourse and experience of World music in Australia
B Keogh
Routes, Roots and Routines: Selected papers from the 2011 Australia/New …, 2012
2012
Sounds, Swords and Forests: An Exploration into the Representations of Music and Martial Arts in Contemporary Kung Fu Films
B Keogh
IAFOR Journal of Asian Studies, 0
The system can't perform the operation now. Try again later.
Articles 1–19