| Composing And Recording For Fluid Digital Music Forms T Redhead Journal on the Art of Record Production, 2015 | 7 | 2015 |
| The music export business: Born global S Chen, S Homan, T Redhead, R Vella Routledge, 2021 | 6 | 2021 |
| The emerging role of the dynamic music producer T Redhead Australasian Computer Music Conference 2018: Reflecting Worlds: The Promise …, 2018 | 6 | 2018 |
| Interactive music formats: will audiences interact? T Redhead Queensland University of Technology, 2015 | 3 | 2015 |
| Dynamic Music The Implications of Interactive Technologies on Popular Music Making T Redhead The University of Newcastle, 2020 | 1 | 2020 |
| Born Global: Australian music exports S Chen, S Homan, T Redhead, R Vella Australia Council for the Arts, 2019 | 1 | 2019 |
| The concerto as a model for networked music performance T Redhead, N Scott, R Vella The Politics of Music, Musicological Society of Australia annual conference …, 2012 | 1 | 2012 |
| Born global S Chen, S Homan, T Redhead, R Vella The Music Export Business, 170-182, 2021 | | 2021 |
| National case studies, export schemes and policies S Chen, S Homan, T Redhead, R Vella The Music Export Business, 140-169, 2021 | | 2021 |
| Music entrepreneurs and export readiness S Chen, S Homan, T Redhead, R Vella The Music Export Business, 68-91, 2021 | | 2021 |
| Networking at music industry export events S Chen, S Homan, T Redhead, R Vella The Music Export Business, 92-113, 2021 | | 2021 |
| The economics of music exports S Chen, S Homan, T Redhead, R Vella The Music Export Business: Born Global, 26-67, 2021 | | 2021 |
| The Semantic Machine-A Contextual Listening Experience-Vinyl Edition: FAST Industry Day Free Promotional Copy-Abbey Road Studios, UK. FAST: Fusing Audio and Semantic … T Redhead | | 2018 |
| Semantic Machine Prototype Launch: As Part of the FAST Industry Day at Abbey Road Studios, London T Redhead FAST Industry Day: FAST: Fusing Audio and Semantic Technologies for …, 2018 | | 2018 |
| The Interactive Music Producer T Redhead Interactive Audio Systems Symposium, 2016 | | 2016 |
| GIRD (Gestural-based Interactive Remixable Dance Floor) T Redhead Music Interaction Design (MiXD) 2016: Integra Labs-Birmingham University, 2016 | | 2016 |
| GIRD (Gesture-based interactive Dance Floor): An audio and lighting system that allows audiences to remix, explore and interact with music and lights through dancing and movement T Redhead, J Rutherford Music Tech Fest-Berlin, 2016 | | 2016 |
| MTF Performance Lab (Berlin): Viktoria Modesta T Redhead | | 2016 |
| The Madness of Crowds T Redhead, H Lidbo, G Leigh, T Brown, J Rutherford Ars Electronica: Festival for Art, Technology and Society, 2016 | | 2016 |
| One Drop-Interactive Music Format T Redhead | | 2014 |
