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Alex McLean
Alex McLean
Then Try This
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Title
Cited by
Cited by
Year
Live coding in laptop performance
N Collins, A McLean, J Rohrhuber, A Ward
Organised sound 8 (3), 321-330, 2003
4812003
Speaking code: Coding as aesthetic and political expression
G Cox, A McLean
MIT Press, 2012
214*2012
Making programming languages to dance to: live coding with tidal
A McLean
Proceedings of the 2nd ACM SIGPLAN international workshop on Functional art …, 2014
1072014
The Oxford handbook of algorithmic music
RT Dean
Oxford University Press, 2018
1002018
Visualisation of live code
A McLean, D Griffiths, N Collins, G Wiggins
Electronic Visualisation and the Arts (EVA 2010), 2010
982010
Live algorithm programming and a temporary organisation for its promotion
A Ward, J Rohrhuber, F Olofsson, A McLean, D Griffiths, N Collins, ...
Proceedings of the README Software Art Conference 289, 290, 2004
982004
Algorave: Live performance of algorithmic electronic dance music
N Collins, A McLean
Proceedings of the International Conference on New Interfaces for Musical …, 2014
942014
Tidal–pattern language for the live coding of music
A McLean, G Wiggins
Proceedings of the 7th sound and music computing conference, 331-334, 2010
792010
Artist-programmers and programming languages for the arts
CA McLean
Goldsmiths, University of London, 2011
702011
The aesthetics of generative code
G Cox, A McLean, A Ward
Proc. of Generative Art, 2001
70*2001
Digital crafts-machine-ship: creative collaborations with machines
K Andersen, R Wakkary, L Devendorf, A McLean
Interactions 27 (1), 30-35, 2019
542019
Collaboration and learning through live coding (Dagstuhl Seminar 13382)
A Blackwell, A McLean, J Noble, J Rohrhuber
Dagstuhl Reports 3 (9), 2014
522014
Bricolage Programming in the Creative Arts.
A McLean, GA Wiggins
PPIG, 18, 2010
502010
Live coding: a user's manual
AF Blackwell, E Cocker, G Cox, A McLean, T Magnusson
MIT Press, 2022
482022
Hacking Perl in nightclubs
A McLean
on: perl. com, 2004
37*2004
Live music-making: A rich open task requires a rich open interface
D Stowell, A McLean
Music and human-computer interaction, 139-152, 2013
322013
Texture: Visual notation for live coding of pattern
A McLean, GA Wiggins
ICMC, 2011
322011
Unifying conceptual spaces: Concept formation in musical creative systems
J Forth, GA Wiggins, A McLean
Minds and Machines 20, 503-532, 2010
322010
Live Coding Towards Computational Creativity.
A McLean, GA Wiggins
ICCC, 175-179, 2010
292010
Coding praxis: Reconsidering the aesthetics of code
G Cox, A McLean, A Ward
readme–Software Arts and Cultures, Edition, 160-175, 2004
28*2004
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Articles 1–20