Alex McLean

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Geraint WigginsProfessor of Computational Creativity, Vrije Universiteit Brussel / Queen Mary University of LondonVerified email at vub.ac.be
Geoff CoxLondon South Bank University & Aarhus UniversityVerified email at lsbu.ac.uk
Nick Collinsdurham universityVerified email at durham.ac.uk
Dave GriffithsThen Try ThisVerified email at thentrythis.org
Kia NgICSRiM - University of LeedsVerified email at leeds.ac.uk
Thor MagnussonDept of Music, University of Sussex | Intelligent Instruments Lab, University of IcelandVerified email at sussex.ac.uk
Roger T. DeanProfessor of Sonic Communication, Western Sydney University; Artistic Director, austraLYSISVerified email at westernsydney.edu.au
Alan BlackwellProfessor of Interdisciplinary Design, University of CambridgeVerified email at cam.ac.uk
Ellen Harlizius-KlückDeutsches MuseumVerified email at harlizius-klueck.de
Alan MarsdenLancaster UniversityVerified email at lancaster.ac.uk
eldad tsabaryProfessor of electroacoustic music, Concordia UniversityVerified email at concordia.ca
David OgbornAssociate Professor, McMaster UniversityVerified email at mcmaster.ca
Jamie ForthGoldsmiths, University of LondonVerified email at gold.ac.uk
Victor Padilla Martín-CaroUNIR Universidad Internacional de la RiojaVerified email at unir.net
James NobleCreative Research & ProgrammingVerified email at acm.org
Kate SicchioVirginia Commonwealth UniversityVerified email at vcu.edu
Kristina AndersenTechnical University EindhovenVerified email at tinything.com
Joanne ArmitageICSRiM, University of LeedsVerified email at leeds.ac.uk
Dan StowellTilburg University / Naturalis Biodiversity CentreVerified email at tilburguniversity.edu
Ian JarvisYork UniversityVerified email at yorku.ca

Alex McLean

Then Try This

Verified email at thentrythis.org - Homepage

Algorithmic pattern creativity live coding music interaction functional programming


Title Sort by citations Sort by year Sort by title	Cited by Cited by	Year
Live coding in laptop performance N Collins, A McLean, J Rohrhuber, A Ward Organised sound 8 (3), 321-330, 2003	467	2003
Speaking code: Coding as aesthetic and political expression G Cox, A McLean MIT Press, 2012	206*	2012
Making programming languages to dance to: live coding with tidal A McLean Proceedings of the 2nd ACM SIGPLAN international workshop on Functional art …, 2014	99	2014
Visualisation of live code A McLean, D Griffiths, N Collins, G Wiggins Electronic Visualisation and the Arts (EVA 2010), 2010	97	2010
Live algorithm programming and a temporary organisation for its promotion A Ward, J Rohrhuber, F Olofsson, A McLean, D Griffiths, N Collins, ... Proceedings of the README Software Art Conference 289, 290, 2004	95	2004
Algorave: Live performance of algorithmic electronic dance music N Collins, A McLean Proceedings of the International Conference on New Interfaces for Musical …, 2014	92	2014
The Oxford handbook of algorithmic music RT Dean Oxford University Press, 2018	88	2018
Tidal–pattern language for the live coding of music A McLean, G Wiggins Proceedings of the 7th sound and music computing conference, 331-334, 2010	75	2010
The aesthetics of generative code G Cox, A McLean, A Ward Proc. of Generative Art, 2001	68*	2001
Artist-programmers and programming languages for the arts CA McLean Goldsmiths, University of London, 2011	67	2011
Collaboration and learning through live coding (Dagstuhl Seminar 13382) A Blackwell, A McLean, J Noble, J Rohrhuber Dagstuhl Reports 3 (9), 2014	52	2014
Digital crafts-machine-ship: creative collaborations with machines K Andersen, R Wakkary, L Devendorf, A McLean Interactions 27 (1), 30-35, 2019	50	2019
Bricolage Programming in the Creative Arts. A McLean, GA Wiggins PPIG, 18, 2010	50	2010
Live coding: a user's manual AF Blackwell, E Cocker, G Cox, A McLean, T Magnusson MIT Press, 2022	38	2022
Hacking Perl in nightclubs A McLean on: perl. com, 2004	37*	2004
Live music-making: A rich open task requires a rich open interface D Stowell, A McLean Music and human-computer interaction, 139-152, 2013	32	2013
Texture: Visual notation for live coding of pattern A McLean, GA Wiggins ICMC, 2011	31	2011
Unifying conceptual spaces: Concept formation in musical creative systems J Forth, GA Wiggins, A McLean Minds and Machines 20, 503-532, 2010	31	2010
Coding praxis: Reconsidering the aesthetics of code G Cox, A McLean, A Ward readme–Software Arts and Cultures, Edition, 160-175, 2004	28*	2004
Live Coding Towards Computational Creativity. A McLean, GA Wiggins ICCC, 175-179, 2010	27	2010

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