| The Captive Scribe: The context and culture of scribal and notational process in the music of the 'ars subtilior' J Stoessel, R Eakins, D Goldsworthy University of New England, 2003 | 18 | 2003 |
| Symbolic innovation: the notation of Jacob de Senleches J Stoessel Acta musicologica 71 (Fasc. 2), 136-164, 1999 | 15 | 1999 |
| Encoding medieval music notation for research J Stinson, J Stoessel Early Music 42 (4), 613-617, 2014 | 13 | 2014 |
| The Interpretation of Unusual Mensuration Signs in the Notation of the Ars Subtilior J Stoessel A Late Medieval Songbook and its Context, 179-202, 2009 | 12 | 2009 |
| Howling like wolves, bleating like lambs: Singers and the discourse of animality in the late Middle Ages J Stoessel Viator 45 (2), 201-235, 2014 | 8 | 2014 |
| Con lagreme bagnandome el viso: mourning and music in late medieval Padua J Stoessel Plainsong & Medieval Music 24 (1), 71-89, 2015 | 6 | 2015 |
| The Angevin Struggle for the Kingdom of Naples (c. 1378–1411) and Politics of Repertoire in Mod A:: New Hypotheses J Stoessel Journal of Music Research Online 5, 2014 | 6 | 2014 |
| Identity and locality in early European music, 1028-1740 J Stoessel Ashgate Publishing, Ltd., 2009 | 6 | 2009 |
| Music and Moral Philosophy in Early Fifteenth-Century Padua J Stoessel Identity and Locality in Early European Music 1028–1740, 107–127, 2009 | 5* | 2009 |
| The intersection of Anglo-French culture and Angevin illumination in a fourteenth-century ars nova miscellany: A new dating of Biblioteca Apostolica Vaticana, Barb. lat. 307 … F Manzari, J Stoessel Miscellanea Bibliothecae Apostolicae Vaticanae XXV, 2019 | 4 | 2019 |
| Climbing Mont Ventoux: the contest/context of scholasticism and humanism in early fifteenth-century Paduan music theory and practice J Stoessel Intellectual History Review 27 (3), 317-332, 2017 | 4 | 2017 |
| French-Texted Songs at the Council of Constance: Influences, Paths of Transmission, and Trends J Stoessel Europaeische Musikkultur im Kontext des Konstanzer Konzils, 2017 | 4 | 2017 |
| A Fifteenth-century Response to a Musical Text: the Editor-scribe in Chantilly, Bibliothèque du Musée Condé, ms. 524 (Codex Chantilly) J Stoessel Music Research: New Directions for a New Century - Proceedings of the 25th …, 2004 | 4 | 2004 |
| Using optical music recognition to encode 17th-century music prints: the canonic works of Paolo Agostini (c. 1583–1629) as a test case J Stoessel, D Collins, S Bolland Proceedings of the 7th International Conference on Digital Libraries for …, 2020 | 3 | 2020 |
| The Harmonious Blacksmith, Lady Music and Minerva: The Iconography of Secular Song in the Late Middle Ages J Stoessel Butler and Bassler, 63-86, 2019 | 3 | 2019 |
| Scribes at Work, Scribes at Play: Challenges for Editors of the Ars Subtilior J Stoessel Early Music Editing: Principles, Historiography, Future Directions, edited …, 2013 | 3 | 2013 |
| Revisiting Aÿ, mare, amice mi care: insights into late medieval music notation J Stoessel Early Music 40 (3), 455-468, 2012 | 3 | 2012 |
| Looking Back over the ‘Missa L’Ardant desir’: Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music J Stoessel Music and Letters 91 (3), 311-342, 2010 | 3 | 2010 |
| The Metaphor of Sweetness in Medieval and Modern Music Listening J Stoessel, K Spreadborough, I Antón-Méndez Music Perception: An Interdisciplinary Journal 39 (1), 63-82, 2021 | 2 | 2021 |
| New Light on the Mid‐Fourteenth‐Century Chace: Canons Hidden in the Tournai Manuscript J Stoessel, D Collins Music Analysis 38 (1-2), 155-203, 2019 | 2 | 2019 |
