| Unreliable narration in Bret Easton Ellis’ American Psycho: Interaction between narrative form and thematic content J Phillips Current Narratives 1 (1), 60-68, 2009 | 12 | 2009 |
| Engaging with" Herself": Fandom and authorship in the age of Tumblr JA Phillips, K Freund | 6 | 2016 |
| Confrontational content, gendered gazes and the ethics of adaptation in Outlander and Game of Thrones J Phillips Adoring Outlander: Essays on fandom, genre and the female audience, 162-181, 2016 | 4 | 2016 |
| Jamie's' Others': complicating masculinity and heroism through his foils JA Phillips | 3 | 2016 |
| Revising the Rhetoric of “Boat People” through the Interactive Graphic Adaptation of Nam Le’s “The Boat” J Phillips Teaching Graphic Novels in the English Classroom: Pedagogical Possibilities …, 2018 | 2 | 2018 |
| Humour, Political Satire, and Ironic Tension Between the ‘Real’and the ‘Fictional’Stephen Colbert J Phillips University of Wollongong), accessed 6, 2012 | 2 | 2012 |
| Closure through mock-disclosure in Bret Easton Ellis's Lunar Park J Phillips | 2 | 2009 |
| Engaging with “Herself” J Phillips, K Freund Adoring Outlander: Essays on Fandom, Genre and the Female Audience, 23, 2016 | 1 | 2016 |
| Disrupted Narrative Voices and the Representation of Trauma in Sonya Hartnett’s Surrender and Kalinda Ashton’s The Danger Game J Phillips Language and Semiotic Studies 1 (4), 108-120, 2015 | 1 | 2015 |
| Unreliability and masculinity in the novels of Bret Easton Ellis and Chuck Palahniuk JA Phillips | | 2011 |
| Hu our, politi al satire ad iro i te sio etwee the real ad the fi tio al “tephe Col ert. J Phillips | | |
