| Voice leading in cantus firmus-based composition: a comparison between theory and practice in Renaissance and Baroque music using computer-assisted inferential measures D Collins, D Huron Computers in Music Research 6 (Spring), 53-95, 1999 | 66 | 1999 |
| Zarlino and Berardi as teachers of canon D Collins | 18 | 1993 |
| Canon in music theory from c. 1550 to c. 1800.(Volumes I and II) DB Collins Stanford University, 1992 | 18 | 1992 |
| " So You Want to Write a Canon?" An Historically-Informed New Approach for the Modern Theory Class D Collins College Music Symposium 48, 108-123, 2008 | 15 | 2008 |
| Aesthetics and experience in music performance E Mackinlay, D Collins, S Owens Cambridge Scholars Press, 2005 | 12 | 2005 |
| 'Sufficient to quench the thirst of the most insaciate scholler whatsoeuer': George Waterhouse's 1,163 canons on the plainsong Miserere D Collins Peeters 1, 407-420, 2007 | 9 | 2007 |
| Bach's Occasional Canon BWV 1073 and" Stacked" Canonic Procedure in the Eighteenth Century D Collins Bach 33 (2), 15-34, 2002 | 8 | 2002 |
| Spiegel-Kontrapunkt in Theorie und Praxis: Vorlaufer fur Contrapunctus 12 und 13 aus Bachs Kunst der Fuge D Collins Bach-Jahrbuch 82, 77-92, 1996 | 7 | 1996 |
| Musical Terminology in the Canonic Works of Bach: An Historical Context D Collins Bach 26 (1/2), 91-101, 1995 | 6 | 1995 |
| Taneyev's Theories of Moveable Counterpoint and the Music of JS Bach D Collins Bach 46 (2), 22-45, 2015 | 5 | 2015 |
| Histories and narratives of music analysis M Medić, M Zatkalik Cambridge Scholars Publishing, 2013 | 5 | 2013 |
| HISTORICAL PRECEDENTS FOR BACH'S" EVOLUTIO" CANON" BWV" 1087/10 D Collins Bach 24 (1), 5-14, 1993 | 5 | 1993 |
| Music theory and its methods: structures, challenges, directions D Collins Peter Lang, 2013 | 4 | 2013 |
| Bach and approaches to canonic composition in early eighteenth-century theoretical and chamber music sources D Collins Bach 30 (2), 27-48, 1999 | 4 | 1999 |
| The Martini-Redi Polemic on the Solution of a Canon by Giovanni Animuccia D Collins Indiana Theory Review 16, 61-81, 1995 | 4 | 1995 |
| William Byrd's Motets and Canonic Writing in England D Collins Context: Journal of Music Research, 45-65, 2008 | 3 | 2008 |
| Thomas Tomkins's canonic additions to Thomas Morley's' A plaine and easie introduction to practicall musicke' D Collins Music & letters 76 (3), 345-355, 1995 | 3 | 1995 |
| Canon and music pedagogy 1500-1800 D Collins | 2 | 1994 |
| Review of Mary Louise O'Donnell, Ireland's Harp: The Shaping of Irish Modernity, c. 1770-1880. D Collins Australasian Journal of Irish Studies 16, 133-135, 2016 | 1 | 2016 |
| Towards a Global Music Theory: Practical Concepts and Methods for the Analysis of Music across Human Cultures D Collins Musicology Australia 38 (2), 194-197, 2016 | 1 | 2016 |
Jason StoesselUniversity of New EnglandВерификована је имејл адреса на une.edu.au
