| A Framework for Real-Time Online Collaboration in Music Production S Stickland, N Scott, R Athauda Proceedings of the Australasian Computer Science Week Multiconference, 2018 | 9 | 2018 |
| Music to middleware: The growing challenges of the game music composer N Scott Proceedings of the 2014 conference on interactive entertainment, 1-3, 2014 | 8 | 2014 |
| Design and Evaluation of a Scalable Real-Time Online Digital Audio Workstation Collaboration Framework S Stickland, R Athauda, N Scott Journal of the Audio Engineering Society 69 (6), 410-431, 2021 | 7 | 2021 |
| Evaluating digital games for competitive music composition T Studley, J Drummond, N Scott, K Nesbitt Organised Sound 25 (1), 75-88, 2020 | 7 | 2020 |
| Design of a real-time multiparty DAW collaboration application using Web MIDI and WebRTC APIs S Stickland, R Athauda, N Scott Web Audio Conference 2019, Norwegian University of Science and Technology …, 2019 | 7 | 2019 |
| A definition of creative-based music games T Studley, R Vella, N Scott, K Nesbitt Proceedings of the Australasian Computer Science Week Multiconference, 1-10, 2018 | 5 | 2018 |
| ICT and music education: A study examining the digital literacy of secondary school music teachers N Scott Redefining the musical landscape: Inspired learning and innovation in music …, 2013 | 4 | 2013 |
| Professional Views of Digital Audio Workstations and Collaborative Audio Mixing S Stickland, R Athauda, N Scott Chroma: Journal of the Australasian Computer Music Association 38 (1), 2022 | 3 | 2022 |
| A new audio mixing paradigm: evaluation from professional practitioners’ perspectives S Stickland, R Athauda, N Scott Creative Industries Journal, 2022 | 3 | 2022 |
| Can Competitive Digital Games Support Real-Time Music Creation? T Studley, J Drummond, N Scott, K Nesbitt Journal of Sound and Music in Games 3 (1), 1-35, 2022 | 3 | 2022 |
| Exploring Competitive Musical Creativity in Digital Composition Games T Studley, J Drummond, N Scott Tenth International Conference on Computational Creativity. University of …, 2019 | 2 | 2019 |
| No Vacancy: History and Meaning of Contemporary Ruins in a Regional Australian City N Cushing, M Kilmister, N Scott Ruin Porn and the Obsession with Decay, 155-177, 2018 | 2 | 2018 |
| Designing for Stochastic Game-Based Composition with Max & Unity T Studley, J Drummond, N Scott, K Nesbitt Proceedings of the Annual Conference of the Australasian Computer Music …, 2018 | 2 | 2018 |
| Adolescent girls' changing voices: re-thinking classification M Gend, P Matthias, C Allan, N Scott Australian Voice 18, 1-13, 2017 | 2 | 2017 |
| Australian adolescent voices: Rethinking the choir M van Gend, P Matthias, C Allan, N Scott ASME XXI National Conference, Melbourne, 2017 | 2 | 2017 |
| Making music beyond their time: Training musicians for a future workforce N Scott, R Vella Music: Educating for life. ASME XXth National Conference Proceedings …, 2015 | 2 | 2015 |
| The concerto as a model for networked music performance T Redhead, N Scott, R Vella The Politics of Music, Musicological Society of Australia annual conference …, 2012 | 1 | 2012 |
| “Come together, right now…”: Making remote multiparty in-the-box audio mixing a reality S Stickland, N Scott, R Athauda Innovation in Music: Cultures and Contexts, 117-136, 2024 | | 2024 |
| The House We Build P Egglestone, R Wright, J Drummond, M Minichiello, J McGrath, N Carroll, ... University of Newcastle, 2020 | | 2020 |
| Creating Digitally-Enhanced Acoustic Performance Spaces for Pipe Organ and Choir P Matthias, D Cornforth, N Scott CreateWorld 2018: Creativity in Progress. Queensland College of Art …, 2019 | | 2019 |
